Everyone Orchestra ft. Michael Travis (SCI), Eddie Roberts (New Mastersounds), Mihali Savoulidis (Twiddle), Chuck Jones & Eli Winderman (Dopapod), Shira Elias (Turkuaz), Josh Schwartz (Turkuaz) & Matt Butler (Conducting) w/ The Copper Children

Everyone Orchestra ft. Michael Travis (SCI), Eddie Roberts (New Mastersounds), Mihali Savoulidis (Twiddle), Chuck Jones & Eli Winderman (Dopapod), Shira Elias (Turkuaz), Josh Schwartz (Turkuaz) & Matt Butler (Conducting) w/ The Copper Children

Fri, January 13, 2017

Doors: 8:00 pm / Show: 9:00 pm (event ends at 2:00 am)

$17 Advance / $20 Day Of Show

This event is 16 and over

EVERYONE ORCHESTRA WILL FEATURE:

Michael Travis (The String Cheese Incident)
Eddie Roberts (New Mastersounds)
Mihali Savoulidis (Twiddle)
Chuck Jones (Dopapod)
Eli Winderman (Dopapod)
Shira Elias (Turkuaz)
Josh Schwartz (Turkuaz)
Matt Butler (Conducting)

Everyone Orchestra
Everyone Orchestra
The Everyone Orchestra conductor/founder Matt Butler has taken its participants, both on stage and off, on improvisational journeys with the most diverse of lineups at festivals, theaters and philanthropic events both nationally and internationally. A laundry list of hundreds of musicians, dancers, singers, guest conductors and community organizations have embraced the experience of EO in single shots of musical adrenaline to the soul. Tuning in to his energy, the band and audience utilize The Conductor as their pivot to the set mood of each passing jam as he communicates with the musicians using hand signs, whiteboard and assorted mime suggestions.

The list of Everyone Orchestra participants is an increasingly wide and intercontinental group including members of The Grateful Dead, Phish, moe., String Cheese Incident, The Flecktones, Club d'Elf, ALO, Tea Leaf Green and Adrian Belew, Taj Mahal, Maria Muldaur, Tuvan throat singers, live painters, dancers, chanters, choirs, hula hoopers, firespinners, jugglers, stiltwalkers, storytellers, a presidential candidate and hundreds of others among a growing legion of other performers.

Marching clearly into uncharted territory, The Everyone Orchestra balances the challenges of live group improvisation with triumphant tension and release conduits of music which head deep into the soul. This unique collaborative triumph of performance deeply encourages and requires audience interaction, its edge of your seat enthusiasm for what is next is the forte behind the continuous musical experiment of The Everyone Orchestra.
Michael Travis
Michael Travis
Michael Travis is a pioneer in the art of modern improvisational jam-rock drumming. He is especially known for his groundbreaking work on playing both hand drums and the drum kit simultaneously. As the drummer for the highly accomplished band, The String Cheese Incident, he has developed a unique style that is very supportive of a free jam aesthetic while still always laying it down. He further develops that approach in Zilla by being super solid to the point of emulating grooves that some of the best programmers and DJs would create, except with that elusive human feel. Travis has played along side some of the worlds greatest drummers while playing with String Cheese including Trilok Gurtu, Babatunde Olatunji and Bill Kreutzman and he has collaborated with many other artists including Keller Williams, Karl Denson, Warren Haynes and Bela Fleck. With Zilla, he gets to stretch-out into brand-new territory by playing drums, percussion, sampler and keyboards at the same time during the show.
Eddie Roberts
Eddie Roberts
Eddie started his music career proper in 1989 aged 18, having left his Welsh homeland to study Jazz at Leeds College of Music. More interested in live performing and getting his own thing going than in college work, he quickly rooted out the best players in town and set up his first band, The Jazz Mailmen, dedicated to playing the golden era of Art Blakey's Jazz Messengers. After transcribing all the parts and enforcing a dress code of Bop suits, he set about taking the UK Jazz Dance scene by storm. During this time British Hard Bop legend Tommy Chase asked him to relocate and join his band, but Eddie had other ideas...

Around 1991 Eddie's love for Grant Green inspired him to put a Hammond-based line up together. With the sound of Big John Patton, Lou Donaldson and Ivan Boogaloo, his band The Eddie Roberts Organisation toured UK and managed to get its first European dates at the 'Queen's Birthday Celebrations' in Amsterdam, The Netherlands.

The next step in 1993 was to downsize to a Hammond trio - this happened after meeting two guys who nailed it down more than the seven-piece that the Organisation had become. The Three Deuces were born. After a live album was released, (recorded at Leeds' legendary Jazz dance club The Yardbird Suite) great reviews ensured extensive touring opportunities: headlining Italy's Jazz festival in Bari with Greg Osby as well as many UK festivals, and the start of a regular slot at the Jazz Cafe, London. ?Down at Art?s? was playlisted on Jazz FM for most of 1996 - Art?s Caf� in central Leeds being the place where it all started and ran weekly for 3 years.

Other projects in tandem with the Deuces included Gaucho - inspired by Joe Henderson, Chico Hamilton, Gabo Szabo, Sam Rivers &c., comprising percussion, double bass, guitar, tenor sax & flute - and The Mastersounds with Simon Allen, Dan Brown and percussionist Sam Bell. In 1999 Eddie's focus shifted towards Deep Funk, and hence The New Mastersounds who started out performing a mix of Eddie?s quirky Meters-inspired funk ditties and covers of Jimmy McGriff and Grant Green tunes in clubs and bars around Leeds and Manchester. Soon after, the first 7" was released on Blow it Hard Records (?One Note Brown? is now a rare collectors' 45) they gigged at Jazz Cafe alongside Funk DJ & collector Keb Darge. This meeting proved to be a fruitful one - 3 singles and 1 album on Keb?s label Deep Funk Records earned them the dubious title 'Best Funk Band in the World at this Moment'. 2001/2002 saw some heavy international touring for the extended 8-piece band which featured Cleve Freckleton and The Haggis Horns. Late 2002, whilst various options for a second NMS album were being considered, Eddie's own Cooker Records teased fans with a couple of new 7" singles, as well as re-releasing the highly sought-after debut album.

Eddie's love for 60's Blue Note & Hard Bop, however, didn't waver despite the media hype of the Deep Funk scene, and after a conversation with Adrian Gibson (Booker & DJ at Jazz Cafe/Messin? Around) Eddie was commissioned to produce a Hard Bop track for the Jazz dancers to go on a 'Messin Around' compilation. Eddie had ulterior motives at this recording session - to record a number of 'old-school' tracks with re-arranging & remixing in mind. This project is called Roughneck (a term often used to describe Eddie?s dynamic guitar style) and over the course of 2003 the multi-tracks were fed into Eddie?s creaking mainframe. ?Diggin' Around?, the first 12", was released in February 2003 and a wave of positive responses hit Cooker's shores. ("Pure & genuine, double bass monster. Strong heavy Jazz elements. Very, very good!" said one Espen Horne).

In Spring 2003 Eddie was approached by UK DJ & producer Mr Scruff to play on his remix of the Ramsey Lewis classic ?Do What You Want? for the Verve Remixed series. Then in April the original New Mastersounds quartet (bass, drums, guitar, Hammond) took matters into their own hands and set up a dedicated label for the band, One Note Records, with drummer Simon Allen at the helm. The second NMS album, ?Be Yourself? was written, recorded and mixed over summer 2003 and released in the UK that October. A much broader project than the first album (which had been, to a degree, constrained by the demands of Keb Darge's Deep Funk dancefloor crowd) ?Be Yourself? reflects more truly the scope of Eddie's musical influences and experience, hence the title.

The proceeds from ?Be Yourself? were used to finance stage two of Eddie?s Roughneck project - the double vinyl LP and CD of Roughneck was released summer 2004 on One Note Records and licensed to P-Vine Records in Japan six months later. After that there were select live shows Jazz Festivals and clubs, one of which yielded the live album ?Roughneck: Live in Paris? (P-Vine 2005). The band - which features Gordon Kilroy on drums, Neil Innes on bass, Bill Laurance on piano, and guest performances from ex-NMS horn players Rob Lavers (sax) and Malcolm Strachan (trumpet) - was the obvious choice for Eddie?s 2006 recording project "Trenta". This album, released early 2007 on Salvo?s Records features Eddie?s instrumental arrangements of traditional Neopolitan songs. Eddie decided it was time to give the Americans a taste of Roughneck so he flew them over to perform at High Sierra Music Festival last summer, where fans lapped up the soulful jazzy sounds.

Also in 2007 Eddie paid his first visit to New Orleans, with The New Mastersounds. The band played three shows over the first weekend of Jazzfest, but while the others went home, Eddie stayed on for an extra week and found himself guesting with a host of jazz and funk artists at late-night shows around the city including Galactic, Papa Mali, Johnny Vidocavitch, Idris Muhammed, The Greyboy Allstars. Later that summer Eddie joined Stanton Moore?s trio for a festival gig, alongside keyboard wizard Robert Walter.

At time of writing Eddie has recently completed ?Plug & Play? the The New Mastersounds? fifth studio album, and has just been hired to produce an album for French funk/afrobeat outfit Shaolin Temple Defenders.

Never one to sit back and put his feet up, Eddie tells us that the follow-up to Roughneck ? provisionally entitled ?Volume 2? ? can be expected later this year, and will feature collaborations with vocalists Leigh Kenny and Rhianna Kenny, vocalists with stadium techno act Faithless.

Is that all?
Mihali Savoulidis
Mihali Savoulidis
Guitarist for Twiddle
Chuck Jones
Chuck Jones
The Boston born, now generally Northeast based, but ever on-the-go Dopapod has come a long way from their college basement, DIY party roots. While maintaining to be as grassroots as their humble beginnings, the group has earned praise from taste making critics like Huffington Post, Jambase, and Relix, all the while tending to their ever expanding community of devoted listeners. The past 4 years have individually held the weight of about 150 shows, and included numerous festival appearances like Wakarusa, Summer Camp, Electric Forest, Camp Bisco, Peach Fest, & Gathering Of the Vibes. All of this time on stage together has given the band the opportunity to explore the wide variety of influences that has impacted them to be the players they are today. But, don’t be quick to think that the no holds barred openness to experimenting is unguided. While the brush in their hand uses every color, it’s the stroke on the canvas that gives Dopapod a distinct voice in the way of crafty songwriting.
That calculated compositional mindset and restless nature to never sit too still is what has allowed Dopapod to fully realize their fourth studio release, Never Odd Or Even. Guitarist/vocalist Rob Compa giddily tells, “We really felt that the material this time around represented a big leap forward, not just in the way we’ve been interacting as a band, but in the way our focus has become sharper in paying attention to things like melody, theme, lyrical imagery, and structure – all the elements that make a great song.”
Determined to have that maturity translate in the studio, the band enlisted friend and producer Jason “Jocko” Randall to both engineer and produce the record. Keys/vocalist Eli Winderman couldn’t be happier about how things went. “We lived at his studio for about a month for these sessions and it just clicked right away. Jocko immediately became another member of band in many ways. With his attitude and approach to the recording process, we were able to really dial in the sounds we wanted, get those perfect takes we were aiming for, and have a blast the whole way through.”
Dropping on November 11, in the midst of an extensive Fall Tour, Never Odd Or Even is the spark that the band plans to ignite while in full stride of capping off an exciting year and launching them into the next.
Eli Winderman
Eli Winderman
Keyboardist for Dopapid
Shira Elias
Shira Elias
Vocals for Turkuaz
Josh Schwartz
Josh Schwartz
Saxophonist for Turkuaz
Matt Butler
Matt Butler
THE EVERYONE ORCHESTRA conductor/founder Matt Butler has taken its participants, both on stage and off, on improvisational journeys with the most diverse of lineups at festivals, theaters and philanthropic events both nationally and internationally. A laundry list of hundreds of musicians, dancers, singers, guest conductors and community organizations have embraced the experience of EO in single shots of musical adrenaline to the soul. Tuning in to his energy, the band and audience utilize The Conductor as their pivot to the set mood of each passing jam as he communicates with the musicians using hand signs, whiteboard and assorted mime suggestions.

The list of Everyone Orchestra participants is an increasingly wide and intercontinental group including members of The Grateful Dead, Phish, moe., String Cheese Incident, The Flecktones, Club d’Elf, ALO, Tea Leaf Green and Adrian Belew, Taj Mahal, Maria Muldaur, Tuvan throat singers, live painters, dancers, chanters, choirs, hula hoopers, firespinners, jugglers, stiltwalkers, storytellers, a presidential candidate and hundreds of others among a growing legion of other performers.

Marching clearly into uncharted territory, The Everyone Orchestra balances the challenges of live group improvisation with triumphant tension and release conduits of music which head deep into the soul. This unique collaborative of performance deeply encourages and requires audience interaction. The edge of your seat enthusiasm for what is next is the fuel behind the continuous musical experiment of The Everyone Orchestra.
The Copper Children
The Copper Children
The Copper Children are an indie rock band emerging out of the heart of Denver, Colorado. Their sound is a mix of indie-Americana, intertwined with soul-folk, influenced as much by mountain music as classic rhythm & blues. The band’s expressed musical functions are driven by a contemporary multi-focus genre, in which they challenges conventional thinking and preconceived notions of what soul-folk is, and aims to give an edge to the folk genre with unique instrumentation and songwriting. Through their music, they strive to share their soulful folk tales through heartfelt lyricism combined with raw emotion, all while paying heed to the diversity, peace and sacredness of life, as we know it. Amidst their profound songwriting and melodies, the band has readily established themselves as ‘The Copper Children’ of the Colorado musical forefront.
Venue Information:
Cervantes' Masterpiece Ballroom
2637 Welton Street
Denver, CO, 80205
http://www.cervantesmasterpiece.com/