BWGS Presents a J2G Live Production
The Dance Party Time Machine ft Marc Brownstein, Aron Magner, Allen Aucoin of The Disco Biscuits, Tom Hamilton of Joe Russo's Almost Dead, Mike Greenfield of Lotus, Eddie Roberts of New Mastersounds w/ members of YAMN, Fox Street, Tiger Party, Analog Son
Sat, March 25, 2017
Doors: 8:00 pm / Show: 9:00 pm (event ends at 2:00 am)Cervantes' Masterpiece Ballroom
$22 Advance / $27 Day Of Show
This event is 16 and over
THE DANCE PARTY TIME MACHINE
J2G Live invites you to once again take a trip through time and space as we celebrate the greatest dance party songs of all time. From Rock N Roll's roots to Disco Dance Hits, 80s classics, 90s hip hop, today's biggest jams and everything in between, The Dance Party Time Machine will cover it all. With over 30 musicians at the helm, this year's show will feature songs and musical lineups you won't see anywhere else. So dust off those boogie shoes and get ready for the Dance Party event of the year!!!!http://www.cervantesmasterpiece.com/event/1394313/
After moving back to the southeast from Boston, Allen continued to work as a teacher and percussion instructor while touring with the band “Skydog Gyspy." In 2005 Aucoin acquired his current role as the drummer for Philadelphia electronic act, the Disco Biscuits. Since winning the “drum off” held by the Biscuits in Atlantic City, Allen has played 450-500 shows with the quartet including shows at the Gorge Amphitheatre and Red Rocks Amphitheatre.
Keep an eye out for live shows and studio work from Drfameus!
Although American Babies began as a side project for Tom Hamilton with a rotating cast of musicians, the lineup has recently solidified to include Hamilton's longtime partner-in-crime bassist Clay Parnell (Particle, Brothers Past), keyboardist Adam Flicker (The Brakes), drummer Al Smith, and rhythm guitarist Justin Mazer. With American Babies, Hamilton has turned his focus to songwriting and crafting lyrics that share tales of trials and tribulations ranging from working class hard truths and political chaos to personal relationships gone sour.
Fearlessly blending a passion for songwriting with the electronica-based improv rock that Hamilton and Parnell developed with Brothers Past, American Babies are pioneering a new sound – fusing serious songs with an open-ended sense of adventure that encourages full-group improvisation in the live setting.
Around 1991 Eddie's love for Grant Green inspired him to put a Hammond-based line up together. With the sound of Big John Patton, Lou Donaldson and Ivan Boogaloo, his band The Eddie Roberts Organisation toured UK and managed to get its first European dates at the 'Queen's Birthday Celebrations' in Amsterdam, The Netherlands.
The next step in 1993 was to downsize to a Hammond trio - this happened after meeting two guys who nailed it down more than the seven-piece that the Organisation had become. The Three Deuces were born. After a live album was released, (recorded at Leeds' legendary Jazz dance club The Yardbird Suite) great reviews ensured extensive touring opportunities: headlining Italy's Jazz festival in Bari with Greg Osby as well as many UK festivals, and the start of a regular slot at the Jazz Cafe, London. ?Down at Art?s? was playlisted on Jazz FM for most of 1996 - Art?s Caf� in central Leeds being the place where it all started and ran weekly for 3 years.
Other projects in tandem with the Deuces included Gaucho - inspired by Joe Henderson, Chico Hamilton, Gabo Szabo, Sam Rivers &c., comprising percussion, double bass, guitar, tenor sax & flute - and The Mastersounds with Simon Allen, Dan Brown and percussionist Sam Bell. In 1999 Eddie's focus shifted towards Deep Funk, and hence The New Mastersounds who started out performing a mix of Eddie?s quirky Meters-inspired funk ditties and covers of Jimmy McGriff and Grant Green tunes in clubs and bars around Leeds and Manchester. Soon after, the first 7" was released on Blow it Hard Records (?One Note Brown? is now a rare collectors' 45) they gigged at Jazz Cafe alongside Funk DJ & collector Keb Darge. This meeting proved to be a fruitful one - 3 singles and 1 album on Keb?s label Deep Funk Records earned them the dubious title 'Best Funk Band in the World at this Moment'. 2001/2002 saw some heavy international touring for the extended 8-piece band which featured Cleve Freckleton and The Haggis Horns. Late 2002, whilst various options for a second NMS album were being considered, Eddie's own Cooker Records teased fans with a couple of new 7" singles, as well as re-releasing the highly sought-after debut album.
Eddie's love for 60's Blue Note & Hard Bop, however, didn't waver despite the media hype of the Deep Funk scene, and after a conversation with Adrian Gibson (Booker & DJ at Jazz Cafe/Messin? Around) Eddie was commissioned to produce a Hard Bop track for the Jazz dancers to go on a 'Messin Around' compilation. Eddie had ulterior motives at this recording session - to record a number of 'old-school' tracks with re-arranging & remixing in mind. This project is called Roughneck (a term often used to describe Eddie?s dynamic guitar style) and over the course of 2003 the multi-tracks were fed into Eddie?s creaking mainframe. ?Diggin' Around?, the first 12", was released in February 2003 and a wave of positive responses hit Cooker's shores. ("Pure & genuine, double bass monster. Strong heavy Jazz elements. Very, very good!" said one Espen Horne).
In Spring 2003 Eddie was approached by UK DJ & producer Mr Scruff to play on his remix of the Ramsey Lewis classic ?Do What You Want? for the Verve Remixed series. Then in April the original New Mastersounds quartet (bass, drums, guitar, Hammond) took matters into their own hands and set up a dedicated label for the band, One Note Records, with drummer Simon Allen at the helm. The second NMS album, ?Be Yourself? was written, recorded and mixed over summer 2003 and released in the UK that October. A much broader project than the first album (which had been, to a degree, constrained by the demands of Keb Darge's Deep Funk dancefloor crowd) ?Be Yourself? reflects more truly the scope of Eddie's musical influences and experience, hence the title.
The proceeds from ?Be Yourself? were used to finance stage two of Eddie?s Roughneck project - the double vinyl LP and CD of Roughneck was released summer 2004 on One Note Records and licensed to P-Vine Records in Japan six months later. After that there were select live shows Jazz Festivals and clubs, one of which yielded the live album ?Roughneck: Live in Paris? (P-Vine 2005). The band - which features Gordon Kilroy on drums, Neil Innes on bass, Bill Laurance on piano, and guest performances from ex-NMS horn players Rob Lavers (sax) and Malcolm Strachan (trumpet) - was the obvious choice for Eddie?s 2006 recording project "Trenta". This album, released early 2007 on Salvo?s Records features Eddie?s instrumental arrangements of traditional Neopolitan songs. Eddie decided it was time to give the Americans a taste of Roughneck so he flew them over to perform at High Sierra Music Festival last summer, where fans lapped up the soulful jazzy sounds.
Also in 2007 Eddie paid his first visit to New Orleans, with The New Mastersounds. The band played three shows over the first weekend of Jazzfest, but while the others went home, Eddie stayed on for an extra week and found himself guesting with a host of jazz and funk artists at late-night shows around the city including Galactic, Papa Mali, Johnny Vidocavitch, Idris Muhammed, The Greyboy Allstars. Later that summer Eddie joined Stanton Moore?s trio for a festival gig, alongside keyboard wizard Robert Walter.
At time of writing Eddie has recently completed ?Plug & Play? the The New Mastersounds? fifth studio album, and has just been hired to produce an album for French funk/afrobeat outfit Shaolin Temple Defenders.
Never one to sit back and put his feet up, Eddie tells us that the follow-up to Roughneck ? provisionally entitled ?Volume 2? ? can be expected later this year, and will feature collaborations with vocalists Leigh Kenny and Rhianna Kenny, vocalists with stadium techno act Faithless.
Is that all?
limits of progressive live-tronica. To lend a hand in enhancing the full-bodied, crisp melodies and free-flowing power rock jams that Yamn has come to be known for, is a lighting experience that encompasses a world class rock show.
With more than 100,000 road miles after the original members met in cold and snowy Breckenridge, Colo., the trance-fusion rockers continue hurtling toward their evolving vision. As their dedication, virtuosity and pure enjoyment propelled them through music scene’s across the United States, Yamn’s focus remains on the here, the now and the what-is-to-be while
continually fulfilling the journey of enhancing their lives and the lives of those listening with powerful and seductive sounds.
"Fox Street just might be the most unique band on this list, fusing a honky-tonk inspired soul sound in with the funky freshness of the jam scene... The press train continues to add critical acclaim to the band... Fox Street is a top band to watch in 2014."
While the band is proud to be a part of the vibrant Denver music community, they have been making strides on the national scene as well: Fox Street was named a “must see” act at Musikfest 2013 (America’s largest free music festival in Bethelhem, PA) by both theLos Angeles Times and The Chicago Tribune.
Fox Street boasts a big, soulful rock n' roll sound laced with three-part harmonies, screaming guitars, soulful sax, and a devastatingly funky rhythm section. It certainly helps that the members of Fox Street share varied influences throughout American roots music -- blues, jazz, country and a whole lotta funk -- but also having shared the experience of taking Fox Street on the road together gives the band a certain tightness, a dynamic range that simply cannot be acquired any other way. Over the past five years, Fox Street played hundreds of shows, maintained a relentless coast-to-coast tour schedule and spent countless of hours in the studio with Denver engineer/producer Josh Fairman (New Mastersounds, Ivan Neville, Kinetix) crafting two internationally acclaimed, self-produced, full-length albums: Welcome to Mighty Pleasin’ (2010) and Tough Talk (2013).
It’s the Fox Street sound that’s landed the band gigs sharing the bill and often the stage with contemporary touring acts like Tedeschi Trucks Band, Trombone Shorty & Orleans Avenue, Robert Randolph and The Family Band and Galactic; as well as members of legendary groups including The Allman Brothers Band, Little Feat, and The Meters.
2014 is set to be another landmark year for Fox Street -- In addition to writing and recording new music and expanding their United States tour schedule, the band is currently booking its first European trek for later this fall.
Look out for the band to headed your way soon -- Check out www.foxstreetband.com or keep up with Fox Street tour dates and new releases on Facebook or Twitter."
Based around a studio project involving The Shady Horns (Soulive), Joe Tatton (The New Mastersounds), Ivan Neville (Dumpstaphunk)
and Joey Porter (The Motet/Juno What?!) as well as some of Denver’s finest local talent (members of The Congress, Fox Street All Stars, Kinetix, Rebel Tounge, Devon Parker, Convergence) Analog Son will released their self-titled debut in the spring of 2014.
“some funky, trippy jazz-funk from an awesome set of players.”- Joe Tatton
This funky brainchild was born at Scanhope Sound in fall 2013. While Josh and Jordan had conceptualized this project for years, much of the composition was impromptu as each guest musician brought their own unique brand of artistry to the table stirring up a sizzling musical melting pot.
Their first single, “Analog Island” showcases the unmistakable articulation and harmony of Ryan Zoidis and Eric Bloom(The Shady Horns) as their melodies naturally integrate with Josh and Jordan’s rhythmic chemistry and vision to create a fresh funk-fusion project.The end result takes advantage of modern production and technology while using the finest vintage equipment and tape machines to fuse together both classic engineering and modern musicianship.
This studio finesse translates effortlessly into the live setting. In their short existence, Analog Son has supported The Funky Meters, Trombone Shorty
& Orleans Avenue, The New Mastersounds and Orgone at some of Colorado’s premiere venues. Live audio engineer, Joe Michaels (The Rolling Stones; Larry Graham; Blood, Sweat and Tears), immediately remarks on the authentic funk revival Linit and Fairman have managed to pull off. He states that “mixing these guys is like pure funk heaven....reminds me of my Larry Graham days!”Analog Son’s debut album will be available April 1, 2014 and the CD release party will take place at Cervantes’ Other Side on March 28 with special guests.
Kinetix’s rise from their humble Denver roots into a nationally touring band is the result of talent, enthusiasm and a lot of hard work. Formed at the Lamont School of Music at Denver University, Kinetix was originally meant as a vehicle to blow off steam and play music at weekend hangouts. However, their popularity during those early days became a campus phenomenon that quickly outgrew the limited confines of house parties and campus events. Within two years of forming, Kinetix was selling out local theatres and collecting invites to summer festivals nationwide. Encouraged by the warm response, the band set out to establish themselves nationally and have been building their fanbase ever since.
The eleven tracks of Let Me In were engineered and mixed by Jason Livermore at the reputably rock and roll Blasting Room Studios and mastered by Chris Gehringer of Sterling Sound. The new album builds upon the band’s reputation as a live tour de force, but now heralds the rock quintet as studio musicians capable of creating an album worthy of mainstream radio play.
Now, after two years in a communal writing process, their debut album Weather Patterns will be released in May 2016. The bulk of the album was recorded during a weeklong blizzard, high in the Rockies, at beautiful Evergroove Studio in Evergreen. The 9-track effort was then finished and mixed by bassist/engineer Logan Muckler in his Denver studio, Emerson Recordings, and mastered by Grammy-winning engineer, David Glasser, at Airshow Mastering. The result is a modern-minded yet vintage sounding rock record that makes a statement in the burgeoning Denver music scene and beyond.
Colleen Christmas-Garner (vocals)
Francine Chase (vocals)
Jasson Martin (drums)
Jodel Charles (piano, keyboards)
Keith Askins (bass)
Rally 'Round the Family is here to Rage and only performs to Rock as a hard as possible while providing top quality versions of Rage Against the Machine songs.
Having vast on-tour and in-studio experience has enabled this group to touch into the deepest levels of musical literacy, allowing them to create each show as a “from the hip” experience – meaning each concert is 100% spontaneous and unplanned, with set lists and jams being determined in real time, in front of a live audience. While every single show is completely different, one thing remains the same: You never know what might happen, or who might join them on the stage, and it will always be an incredibly funky dance party.
Cervantes' Masterpiece Ballroom
2637 Welton Street
Denver, CO, 80205