RE: Search ft. Capleton w/ Natural Selectah, Nikka T, Mikey Thunder, Jubee

Cervantes' & Euphonic Conceptions Present

RE: Search ft. Capleton w/ Natural Selectah, Nikka T, Mikey Thunder, Jubee

Wed, June 7, 2017

Doors: 8:00 pm / Show: 8:30 pm

$20 Day Of Show

Tickets at the Door

This event is 16 and over

Capleton
Capleton
A wise man once said that a prophet is never honored in his own country. And so it has been with Capleton. While the veteran DJ‚s words and works long ago earned him the title of "The Prophet", the respect and honor that should rightfully be his have been a long time coming. Anytime you try to uplift righteousness and upliftment of the people them, then you ah go get a fight, says the hottest entertainer in the worldwide reggae fraternity. "Bob Marley come do it and them fight him. And when Bob Marley dead, that's when they start to endorse him. I already aware of this, I am not unaware. So I know the more them fight I is the more I get stronger" In the fast-moving world of dancehall reggae, fame and success are hard to obtain and easy to lose. Fans can be fickle, and trends change in the blink of an eye, leaving most entertainers with painfully short career spans. Only a rare few can remain relevant from year to year, holding their audience's attention and leaving them crying for more. His lyrics are deep, precise, and thoughtful. His stage shows are nothing less than dynamic, explosive performances. But his remarkable staying power and longevity may be Capleton's greatest gift.

Born Clifton George Bailey III on April 13, 1967, in the rural parish of St. Mary, Capleton earned his future stage name from friends who were so impressed with his sharp reasoning skills that they named him after the most famous lawyer in town. From a tender young age, he was a lover of the traveling sound systems, sneaking out at night to catch the vibes until dawn. But it wasn't until he turned 18 and moved to Kingston that he was able to realize his destiny.

It was Stewart Brown, owner of a Toronto-based sound called African Star, who gave the untested artist his first break, flying him to Canada for a stage show alongside giants like Ninjaman and Flourgon. The audience poured out their appreciation, and he never looked back. When Capleton first burst on the scene in the late 1980s, the dancehall was a very different place than it is today. Slackness and gun talk were the order of the day. This bright promising newcomer announced his arrival with a string of hit songs from "Bumbo Red" to "Number One on the Look Good Chart" and "Lotion Man." Everything he touched hit the sound-good charts, and the youthful artist with the nimble vocabulary and hardcore voice quickly established himself as one of dancehall‚s most reliable hitmakers. But even he could not have predicted that eleven years later, at the start of the new millennium, he would be dancehall's ruling voice.

"I think the people dem see say me really deserve that because of the amount of years me put in," Capleton says, "and we never really bow and we still hold the faith. We stand up for whatever we a say. Yeah and we really work for it. And them say by your works, a so you get your pay. The people them see the amount of fight me face and the whole heap of accusation. And me still never give up"

When he dropped the tune "Alms House" in 1992, Capleton established himself as more than an entertainer but as a guiding light of righteousness through music. "United we stand and divided we fall," he sang for the benefit of his fans and dancehall comrades. "Nuff of them nah go know themself till them back against the wall." A few years later he came back with yet another antidote to the clashing and rivlary that had taken hold of the dancehall business. "Music is a mission," he reminded his fellow artists, "not a competition. Some man use the music to cause confusion." The path of this dancehall Prophet was clearly established in 1994 with a string of songs that declared his newfound faith in Rastafari. "INI sight up the light and see say really, yunno, Rasta is real," he recalls. "founder of the world, because Rasta did come set the trend. Y‚unnerstand. Rasta is life."

The first words of his mega-hit "Dis The Trinity" made it plain that the DJ had experienced some kind of revelation. "I was once lost but now I‚m found," he stated, "Selassie I live every time." Capleton became a strong advocate of the teaching of the Jamaican National Hero, Marcus Mosiah Garvey, founder of the Universal Negro Improvement Association and advocate of universal black repatriation. "Babylon rewarded us with hatred for our love," he declares. "They taught us to rape, steal and kill. For instance, they stole our literature and taught it back to us in a different manner so as to infiltrate our minds with foolishness and other misconceptions. Now we as black men do not see ourselves as prince and prophets, but as punks and guys. Our women do not see themselves as queens, princesses or empresses anymore, but as harlots and concubines." The only solution, as Bob Marley advocated, is to emancipate oneself from mental slavery.

"Over the years INI as a nation and a people, them no really teach INI nuttin‚ bout INI black self. You know I mean? Them teach INI them give we European philosophy. So INI and some other youths a try emerge now, we ask certain question and we ask fi certain things. Caw we know say an institute, or in a college, or in a certain organization we need we Ethiopian curriculum, we need the black man thing. We need to know about weself. Becaw the prophet Marcus Garvey did show we say, A nation without no knowledge of them own history is like a tree without a root. And if you don‚t know where you‚re coming from, you‚re not gonna know where you‚re going."

Even as he uplifts the black race, Capleton always makes a point of clarifying that he does not seek to alienate any race. "We are not being racial nor prejudiced star," he says. "Becaw we know Jah is for everyone. But where history and prophesy in concerned, that is our witness and we have to be ourself, and we cannot hide from the truth. Caw we woulda be a traitor and a sellout to ourself. And you cannot sell out yourself."

Soon thereafter came the song "Tour" a blazing state of the dancehall report written in the weeks following the slaying of Panhead and Dirtsman, two of Capleton's fellow artists. That song not only became an anthem of the roots revival within the dancehall, but a hip hop flavored remix of that song hit the Billboard charts, opening up a huge new audience to Capleton's messages of righteousness.

There followed a relationship with Def Jam records, who released two Capleton albums, Prophecy and I-Testament, which featured memorable collaborations with rap stars like Method Man and Q-Tip. Both records were warmly accepted by the international audience, but as the millennium drew to a close, Capleton sensed that it was time to return to his core audience. He had work to do. "I have to be myself, right? And I only can be me," he reasons. "So whichever way fi make me be me, I work with dat. Y'understand."

Capleton is now at the height of his powers. 1999 and 2000 have brought a ceaseless string of sound system favorite and dancehall chart toppers like the anti-violence anthem "Jah Jah City" and "Good In Her Clothes," a message of respect for the sisters who carry themselves like Empresses rather than. But even as he completes his mission of upliftment, Capleton has had many critics. One of his biggest hits, in fact, is addressed the naysayers in the press and the ivory towers of power. "Critics won't leave I alone," chats the Prophet. "They say they can't take the fire weh me put pon Rome"

Many of Capleton's songs "and most of his critics" make mention of this blazing fire. Capleton hopes to clear up the confusion once and for all. "Is not really a physical fire. Is really a spiritual fire, and a wordical fire, and a musical fire. You see the fire is all about a livity. But is people get it on the wrong term. People get confused.So when a man say 'more fire' him think that mean say you fi go light the cane field or go light the church." Fire, Capleton explains, is a way of reminding one‚s brother that they are going astray. "That way a man know say him doing something wrong. That even give him the urge to know say Yo check up on yourself. What you're doing is not right, or else him would not say 'Fire fi dat,' or 'Burn dat' or 'More fire.'" "If we go check it back now," he continues, "fire is for the purification of earth, anyhow you check it. This earth itself have to even emerge from the literal fire also, which is the volcanic activity, we a talk bout lava. The hottest element to rise us in the morning is the sun. The water cleanse, but it's still the support from the fire that burn the water, burn out of the bacteria so the water coulda heal we fi cleanse. The herb heal, but it's still the fire fi burn the herb so the herb coulda heal we also." {Bio is courtesy of Rob Kenner} (www.vprecords.com)
Natural Selectah
Natural Selectah
NATURAL SELECTAH is new band made up of an all-star cast of Denver musicians including,

EDDIE ROBERTS (The New Mastersounds)
JEFFREY FRANCA (Thievery Corporation / Congo Sanchez)
BORAHM LEE (Break Science / Pretty Lights Live band)
DREW SAYERS (The Motet)
GABRIEL MERVINE (The Motet)
JOSH FAIRMAN (Analog Son)
KIM DAWSON (Pimps of Joytime)
MIKE TALLMAN (Dubskin / Euphorquestra)
HAILE SUPREME (Congo Sanchez)
MATT GRUNDSTADT (Dubskin / Euphorquestra / Funkma$ter)
AND MORE!!!!!

The collective will be performing all of your favorite non reggae tunes in a DUBBED OUT reggae style!
Mikey Thunder
Mikey Thunder
Mikey Thunder likes to party. But more than that, Mikey Thunder just so happens to be the party. Thunder spins a genre-blending, bass-driven partyrock, fusing banging electronic beats with funk, hip-hop, soul, jazz, blues, swing, reggae and anything else the party may call for on the fly. With 19 years in the game, he's mastered the art of improvisation with an uncanny ability to work with and rework the vibe of the party with precision. If you’re a true connoisseur of the Colorado music scene, you’ve seen Mikey share the stage with any number of your favorite artists- no matter the genre.

It all began for Mikey at the age of 15 when he discovered DJing in Springfield , Mass. Thru friends older brother's record collections and the Hiphop scene in the city. From there he moved up to Burlington Vt. and immersed himself in the diverse musical culture. In the fall of 1999, he relocated to the mountains of Jackson Hole where he was soon kidnapped by Michael Franti and Spearhead for the Stay Human Tour. After opening for Spearhead in Jackson Hole, Thunder was handpicked by Michael Franti to open the rest of the tour, where he mixed beats into their sets, during set break, and scratched with their beatboxer, Radioactive.

After the Spearhead tour Mikey relocated to Boulder and continued to pursue his musical career. At that time Thunder also was an Atari playing stuntman/ DJ in the band Sonar. The band shared the stage with the Wailers at the Winter Olympics in Salt Lake City, the String Cheese Incident, and played Hightimes Magazine’s SXSW party, and the Cannabis Cup in Amsterdam. In the fall of 2009 Mikey joined the Pretty Lights crew, opened for over 30 shows on their tours and performed cuts on the Making Up a Changing Mind EP, released in 2010. He also has played the sold out Red Rocks Amphitheater runs with PL in 2012/13/14.

Since that time, he has made his presence known in every single facet of the Colorado music industry. Over the years he has shared the stage with an extremely diverse range of musicians, including (but certainly not limited to): Bassnectar, The Glitch Mob, The Disco Biscuits, Boombox, Soul Live, Lettuce, The Motet, Michal Menert, Nightmares on Wax, Mr. Scruff, DJ Krush, Bonobo, Z Trip, DJ Qbert, Pete Rock, DJ Premier, Jurassic 5, Slick Rick, Method Man, Raekwon, Ghostface killa, Red Man, Juicy J, and Big Boi of Outkast. Additionally, he has been prominently featured on such festivals as Shambhala, Sonic Bloom, Snowball, Global Dance Festival, and many others.

Mikey Thunder’s true talent lies in his versatility. Every Thunder performance presents something familiar in an entirely unfamiliar way, as well as something unfamiliar presented in a way that is immediately recognizable as Thunder.
JuBee
JuBee
JuBee
Leader of JuBee and The Morning After
MC of Michal Menert Big Band
1/2 of Uncle Pizza
1/2 of City Council

HipHop/Rock/Funk/Poetry/Meme/EDM/Photography/Cheeseburger/Pizza
DJ Nikka T
DJ Nikka T
DJ Nikka T has always had a strong affiliation to reggae music and the culture surrounding it. Born January 29, 1985 to two loving and amazing parents, Nikka T has been a gift and a treasure. He was immediately embraced by his grandparents and friends as a sweet and affectionate, soul filled kid, with an urgency to see, feel, and experience life from the onset. From skipping high school and entering junior college early, to traveling in Jamaica, France, Amsterdam, India, Hawaii, and all over the US, Nikka T has spread his wisdom and love for music at an excelled pace. His pursuit in the music industry is moving rapidly as well with his first mix tape release "So Addictive Vol. 1" and his weekly DJ sets improving every time. The music can be described as a mixture between New Roots, otherwise known as Culture, Dancehall Reggae, and Hip-Hop. His entrepreneurial spirit and constant perfectionism will get DJ Nikka T wherever he wants to be in life, whether it is DJing at the local club or producing hit mix tapes.
Venue Information:
Cervantes' Other Side
2637 Welton St.,
Denver, CO, 80205
http://www.cervantesmasterpiece.com/