Octave Cat ft. Jesse Miller (Lotus), Eli Winderman (Dopapod), Charlie Patierno AND Big Brazilian Cheese ft. Michael Kang (SCI), Dominic Lalli (Big Gigantic), Aaron Johnston & Jesse Murphy (Brazilian Girls) w/ Bruce Chillis
Sat, January 13, 2018
Doors: 8:00 pm / Show: 8:30 pmCervantes' Masterpiece Ballroom
$20 Day Of Show
This event is 16 and over
CERVANTES' 15TH ANNIVERSARY WEEKEND
OCTAVE CAT FEATURES:
Jesse Miller (Lotus)
Eli Winderman (Dopapod)
BIG BRAZILIAN CHEESE FEATURES:
Michael Kang (SCI)
Dominic Lalli (Big Gigantic)
Aaron Johnston (Brazilian Girls)
Jesse Murphy (Brazilian Girls)
Avi Bortnick (John Scofield)
The mandolin is his primary instrument, although he plays violin on several songs, and electric mandolin on many others. He provides both a melodic and rhythmic sound. Kang has lived in South Korea, Indonesia, England, Germany, New York, San Francisco Bay Area (California), United Arab Emirates, Alaska, and Colorado. He is a graduate of UC-Berkeley a former emergency medical technician, and a former ski patrolman in Steamboat Springs, CO.
n addition to his role in SCI, Kang has participated in several side projects, among these was the 2000 album Head West by the collaboration called Comotion. Musicians joining Kang in the studio included Jeff Sipe and Tye North of Leftover Salmon, progressive bluegrass musicians Paul McCandless, Darol Anger, and Mike Marshall, and drummer Aaron Johnson. He is also found playing with the band Panjea and with Chris Berry. In June 2013, Kang recorded on Boulder based indie rock band Summa (band)'s debut EP.
A graduate of Wichita State University’s renowned music program, Johnston studied jazz and classical drumming in addition to devoting four intense years to the study of world percussion. He served as a professor’s assistant and as the director of Wichita’s Escola De Samba while obtaining a Bachelor of Arts degree, developing an intuitive blend of technical training and natural feel that would guide the rest of his career.
In Los Angeles, he quickly became a first-call session and touring drummer for the likes of Desmond Child and the Pete Escovedo Orchestra. After relocating to San Francisco, he found himself performing and recording with a slew of legends: Darol Anger’s Heritage Project (featuring Willie Nelson and Mary Chapin Carpenter), Mike Marshall’s Choro Famoso, Andy Narell, Omar Sosa,t Aphelbaum and the Hieroglyphics Ensemble, and Katoja among others. All the while, he was producing and recording jazz albums with his own celebrated group, Blue People.
In January of 1998, Johnston moved to New York City, where he earned spots behind the kit with everyone from Harry Belafonte, Angelique Kidjo and Me’shell Ndegeocello to Wax Poetic and Latin pop star Thalia.
But it was his own full-time group, Brazilian Girls, that truly launched him into the spotlight. The band released three albums on Universal Verve Records, garnering a Grammy nomination for Best Electronic Dance Album, critical acclaim from Rolling Stone and SPIN, tour dates with Sting and festival slots from Bumbershoot to Bonarroo, Coachella and Lollapalooza.
In addition to his percussion work, Johnston has contributed to a number of film scores, including director Morgan Freeman’s Desert Blue, and, most recently, the Paramount Pictures release OKA Amerikee, a film based on the music of the Bayaka tribe in Africa.
Currently based in New York, New York, Johnston splits his time between being one of New York City’s top session drummers, doing drum tracks for people all over the world, and playing shows with stars like Ana Torroja from the band “Mecano” or people like Natalie Merchant, to performing with, recording and producing a variety of artists in New York, including his band Brazilian Girls (who are currently Mixing their fourth album). Johnston is also very active on the local new york city scene, playing alongside many of New York’s top musicians such as Clark Gayton (Bruce Springsteen, Sting, Duke Ellington, Skatalites, Steel Pule, Quincy Jones), Brian Mitchell (Levon Helm), Scott Sharrard (Greg Allman Band), Avi Bortnick (John Scofield Band), and the list goes on, as well as his side projects such as Shitty Shitty Jam Band(which is more of an afro-beat meets 70’s funk meets modern electro), California (acoustic), and his work as a DJ and producer.
TNERTLE is the concoction of Trent Campbell, a Denver native and Berklee College of Music graduate. Trent took to music at an early age beginning on bass guitar. Like most musicians, he went through the metamorphosis of high school jazz bands to prestigious collegiate ensembles to post-grad rock bands. The experience laid the pavement for a vibrant musical palate, but Campbell yearned to put his Contemporary Writing & Production degree to the utmost test. He sought out to create music that appealed to music lovers from all walks of life while naturally hopscotching around different styles ranging from funk to hip-hop to EDM and beyond. Coming up during the advent of electronic music, Campbell knew the style matched his skill set, but wanted to ensure the live performance element was fully intact.
Thusly, TNERTLE was born. In addition to bass, Campbell began learning the ins and outs of midi controllers to give performances a humanistic approach. Rather than play it safe and trigger different sections of the music by simply pushing buttons, Campbell performs melodies using Machine Controller cradled in snare drum stand and tilted toward the audience. This allows him to captivate audiences by giving them a visual display of his instrumental mastery and improvisation skills.
TNERTLE solo shows are the perfect compliment to Campbell’s original “full band” configuration of the group. Calling upon an up-to-9-member musical squad that includes live drums, horns, guitars and MCs, TNERTLE has a reputation for giving audiences the ultimate audio and visual smorgaspboard. However, TNERTLE solo shows are evolving into a whole different creature as Campbell performs never-before-heard remixes, introduces brand new original material, incorporates live improvisation, and reworks songs played by the full band.
Regardless of ensemble, Campbell’s primary objective has always been to get people dancing to melodic representations that bob and weave through all of life’s intricacies and emotions. Whether it’s utilizing big beats, composing smooth melodies, and working within flowing chord structures, TNERTLE will connect with listeners who want to let loose and have no preconceived notions of how life is suppose to be or where it’s going to take you. Go with the flow and you can ensure that you’ll have the time of your life.
Cervantes' Masterpiece Ballroom
2637 Welton Street
Denver, CO, 80205