Oskar Blues Brewery & KGNU Radio present
Bluegrass Generals ft. Chris Pandolfi & Andy Hall (The Infamous Stringdusters), Sam Bush (Sam Bush Band), Keith Moseley (SCI), Larry Keel (Larry Keel Experience) w/ The Swat Team, The Grant Farm, Casey Russell & The Soul Shack, Envy Alo - SATURDAY
Sat, January 6, 2018
Doors: 8:00 pm / Show: 9:00 pmCervantes' and The Other Side - DUAL VENUE
$25 Day Of Show
This event is 16 and over
DUAL VENUE ACCESS
Purchasers of tickets for the Winter String Fling ft. The Bluegrass Generals will receive access to both venues, the Ballroom and The Other Side.
THE BALLROOM FEATURES:
Bluegrass Generals ft. Chris Pandolfi & Andy Hall (The Infamous Stringdusters), Sam Bush (Sam Bush Band), Keith Moseley (SCI), Larry Keel (Larry Keel Experience) w/ Grant Farm
THE OTHER SIDE FEATURES:
The Swat Team ft. Steve Watkins (Allen Stone/Juno What), Adam Deitch (Lettuce/Break Science), Garrett Sayers (The Motet), & Dan Schwindt (Kyle Hollingsworth Band)
Music was all around me growing up. My grandparents, Frank and Carmela Pandolfi, started the Connecticut Opera Association in 1942. I never met my grandfather, but my grandmother got us playing piano at a really young age. I loved every sound I heard. Ultimately inspired by my older brother Jono’s musical tastes and exploits, I got my first banjo in the summer of 1997. The next ten or so years flew by. During that time I got my undergrad degree at Dartmouth College and then went on to be the first ever banjo principal at the Berklee College of Music before moving to Nashville, TN in 2004. Along the way I was lucky to work with many amazing people, but ultimately I started a band with great musicians who are also my great friends–The Infamous Stringdusters. We have been touring for about 9 years, have a bunch of albums, a Grammy nomination and our own festival. We strive to make good original music, explore the world and enjoy life.
I have a few banjo-centric solo albums that I wrote and produced (Looking Glass and the Handoff), that feature some of my favorite acoustic players. I do session work in Denver and work as a producer for other artists/bands, helping them craft their music, a job I absolutely love to do. While my solo side of things focused on the banjo for a long time, lately I have been on a newer, broader musical journey: TRAD+. It’s a landscape of sounds–electronic, acoustic, vinyl sampling, live drums, deep textures, live jams and more. , Founding Fathers.
Music has always been my passion, but I also love to write and create short motion pictures. I started working on video around 2007, filming the ‘Dusters hijinx, documentary style. Since then I have enjoyed finding more and more creative ways to use the camera/editing software, from stop-motion to performance to ski vids. My writing focuses mostly on our adventures and our musical scene, a subject that’s always interested me along my journey from the Northeast to Nashville, Virginia and now Colorado. Bluegrass is its own world, filled with incredible musicianship and a short but vibrant history of crazy characters, trends and changes. A few of my pieces about the current state of the bluegrass world reached a big audience. In the wake of that attention the International Bluegrass Music Association asked me to deliver a keynote address at the 2011 World of Bluegrass in Nashville, TN (their annual business conference), giving some real recognition to a new vision of a bigger, more connected acoustic world. We are excited to be a part of whatever comes next for bluegrass.
I moved to Denver, CO in 2013, a place that has always been an unofficial home for the Stringdusters. It’s full of great people, great music and great living, and I’m excited to call it home.
“I feel fortunate that when it’s time to play, no matter how I feel physically or mentally, once the downbeat starts, my mind goes to a place that’s all music,” says Bush. “The joy of the music comes to me and overtakes me sometimes––I just become part of the music.”
That rapt merging of life and art fills Bush’s new album Storyman, a freewheeling collection that gleefully picks and chooses from jazz, folk, blues, reggae, country swing, and bluegrass to create a jubilant noise only classifiable as the Sam Bush sound. Many of the songs are stories––several of them true––and the legendary mandolin player co-wrote every one of them with friends including Guy Clark, Emmylou Harris, Jon Randall Stewart, Jeff Black, and others.
“I’m hoping it just kind of flows for people and makes them go, ‘Hey! It’s a Sam record. It sounds like Sam and the band,’” Bush says. “But for the first time ever, I also find myself thinking, ‘I hope you enjoy the stories.’ It’s my singer-songwriter record.”
The Father of Newgrass and King of Telluride has long since established himself as roots royalty, revered for both his solo and sideman work, which includes time with Harris, Lyle Lovett, and Béla Fleck. But instead of kicking back and soaking up honors such as an Americana Music Association Lifetime Achievement Award and suite of Grammys and International Bluegrass Music Association trophies, Bush still strives relentlessly to create something new.
Raised on a farm just outside of Bowling Green, Kentucky, Bush grew up plowing tobacco fields in the Southern summer heat alongside his family. He started playing mandolin when he was 11 years old. “I believe growing up on a farm probably helped me channel my energy into learning music and being so interested in it,” Bush says. “Me and my sisters, we all loved it. I’ve often wondered if that’s because growing up on a farm, you couldn’t go ride your bike all over town and horse around like the other kids.”
For Bush, a lifetime of channeling his energy has led to stylistic innovations that have changed the course of bluegrass and roots music alike.
Bush took about four years to record the latest installment in that legacy. “It’s still important to me that all of the songs fit together on an album,” he says. “I’m well aware that people buy individual tracks digitally, and that’s good. But I still think of it as an album––a body of work. And I’m really satisfied with these songs. It’s taken a while, but I sure am happy with them.”
Recorded partially at Neptone Recording Studios in Destin, Florida, and Bush’s longtime go-to the Sound Emporium in Nashville, Storyman sounds like the best of friends swapping tales and jamming for the sake of jamming because that’s exactly what it is. Bush’s voice, which sounds strong and familiar throughout Storyman, is often overlooked because of the sheer ferocity of his playing––an omission that actually points to the brilliant suppleness, ease, and warmth of his vocals, which instead of drawing attention to themselves are always fully in service of the song.
Written with Jeff Black, “Transcendental Meditation Blues” recounts a long 1978 ride Bush took on a sweltering, broken-down Greyhound to see a girl named Lynn in Louisville. Today, Lynn and Bush have been married for 31 years, and the glimpse into their early courtship––layered over rolling strings––is relatable, toe-tapping, and sweet. “When I finally got to Louisville, there was Lynn, sitting in her little orange VW waiting for me,” Bush says. “You know you’re in love when you ride the Greyhound bus.”
Humanistic optimism punctuates the entire album. “Play by Your Own Rules,” co-penned with Sam Bush Band guitarist Stephen Mougin, rowdily encourages listeners to be themselves, “favor kindness over wealth,” and live fully in the moment. Written with Deborah Holland, “Everything is Possible” offers open-armed hope wrapped in reggae-infused instrumentation that matches the positivity of the lyrics’ messages.
The wryly funny “Hand Mics Killed Country Music” brings Emmylou Harris and Bush together again. Harris contributes harmony vocals on the song, which the two co-wrote. It’s a straight-ahead honky tonk shuffle––the first that Bush has ever recorded on one of his solo albums––complete with steel guitar and a trio of fiddles. “I thought the song really needed that great, old-time piano, like Pig Robbins. Then I thought, ‘Well, call Pig Robbins! Not a younger player who can sound try like him!’” The iconic session player accepted the gig and guided the bluegrass- and jazz-trained musicians through the art of creating a shuffle.
“Carcinoma Blues” has co-writer Guy Clark’s fingerprints all over its lean lines and inimitable combination of cleverness and heart. Clark and Bush have both had their bouts with cancer, and Bush wanted to write about the experience, directly and holistically. “We wrote it from the points of view of both the patient and of the loved one, who’s watching the patient go through it,” Bush says. Echoes of Jimmie Rodgers’ “TB Blues,” which Bush says “scared him as a kid” reverberate throughout the track.
Bush and Steven Brines wrote “Lefty’s Song” by letter correspondence in the 70s: The two mailed lyrics and music back and forth between Barren County and Lexington. Brines died in the 80s, and Bush lost the tape capturing the song for almost 40 years. “I couldn’t believe I found it!” he says, obviously thrilled. The true tale of a small-town newspaperman who falls in love with a traveling actress but can’t leave his deaf and mute brother behind, the song features guest vocals from Alison Krauss and a happy twist at the end.
The entire Sam Bush Band co-wrote instrumental “It’s Not What You Think,” which got its title from a disagreement about the location of the one beat. Co-penned with banjo player Scott Vestal, “Greenbrier” grew from a phrase that Bush woke up with at 4 a.m. one morning. Jon Randall Stewart started strings-soaked throwback “Bowling Green” on his own then took it to Bush because of the subject matter. “Jon Randall came over to my house and said, ‘Man, I got a song––it’s kind of about your dad,’” Bush remembers. “He played what he had, and he teared me right up. I said, ‘Come on, now!’” The finished product is an autobiographical ode to Bush’s upbringing and his father’s love of the fiddle.
Slow-burning “Where is My Love,” written with John Pennell, proves Bush should compose and play the blues more often. It’s a growling experiment in perspective and audience––Is the song’s protagonist wondering what’s wrong with him or where his lover has gone? Hint: probably both.
“I Just Wanna Feel Something”––also written with Jon Randall––explores the urge to chase love’s high before it’s too late. “Really, it’s about playing the groove and digging playing together,” Bush says. “If there is a love in it, it’s the love of playing music together.”
For Bush, that’s a love that will never die. “When we play live on stage, if people can feel the joy we’re feeling, then we have succeeded,” Bush says. “That’s the goal to me of playing music: Did the audience feel something?”
He has written and provides vocals for a number of songs for the band, including "Resume Man", "Joyful Sound" and "Sometimes a River". Before he was with the String Cheese Incident, Moseley played guitar in the band Whiskey Creek Warriors, which played around the Colorado ski scene.
Moseley plays primarily a Lakland 55-94 and a Modulus Genesis 5. However, he also played a Modulus Quantum, Lakland Hollowbody, Eminence upright bass and a Fender Precision bass on the much lower key in the post-String Cheese Incident gigs. Moseley for most of his String Cheese Incident days used SWR amps and Goliath 4x10 cabinets, but in later years has played through Ampeg SVT-4 Pro with 6x10 cabinets. He occasionally will perform solo acts, playing acoustic versions of String Cheese Incident songs, and covers. He plays a Martin D-35 acoustic while playing these gigs.
Swatkins has long been a fixture on the touring scene in his capacity as a sideman and guest artist. As a fulltime member of Excellent Gentlemen and Juno What?! he's spread his irresistible signature style on stages across the US and Canada. Since joining Allen Stone's band in 2013, he's been around the world several times, becoming an indispensable part of the live show and co-writing several of Allen's songs, including the lead single "Upside" from Stone's latest album, Radius. Most recently, he's guest-starred with Brooklyn's Turkuaz at their debut Red Rocks performance, sat in with Vulfpeck at their biggest NYC show to date in Central Park, and has toured subbing on keyboards with modern funk legends Lettuce. Now with Steve's new original project, The Positive Agenda, his dedicated fans can see the Swatkins they know and love in a brand new setting, bringing high-energy performances to dancefloors everywhere.
In addition, Swatkins has performed or recorded with: The Motet, The Quick & Easy Boys, Liv Warfield (of Prince's New Power Generation), Moorea Masa, Jans Ingber, Jarrod Lawson, Fruition, The Doo Doo Funk Allstars, Farnell Newton, Reva DeVito, Russ Liquid, Bernie Worrell (of P-Funk/Talking Heads), Leo Nocentelli (of The Meters)
...and many more
guitar starting at a young age. He gained experience
coming up in the renowned music program of Hall High
School, and the local Hartford, CT jazz scene.
In 1996, Garrett was selected to join the National
Grammy In The Schools Jazz Program, an honor awarded
to only 40 people.
From 1996 - 1999 Garrett attended the New England
Conservatory in Boston where he studied with jazz
greats: Cecil McBee, Bob Moses, and Danilo Perez and
graduated with a Jazz Performance Diploma.
In addition, Garrett was selected for the prestigious
Thelonious Monk School: Jazz at Aspen summer program
Shortly after arriving in Boston Garrett formed the
Miracle Orchestra with fellow music school peers. For
5 years the Miracle Orchestra toured the country
gaining a devoted national fan base, while also
maintaining a solid local following, earning them
accolades such as Boston Magazines Best of Boston
"Best Local Jazz Group". The Miracle Orchestra sold
out numerous shows at their local haunt The House of
Blues in Boston as well as the legendary Wetlands in
New York City. The Miracle Orchestra released two
studio albums: "Coalescence" and "Forks Bends &
Spoons", and a live album: "Live Vol. 1".
Garrett was a founding member of the award-winning
jazz ensemble Dead Cat Bounce led by Matthew Steckler,
who were voted Boston's Best Local Jazz Act at the
2002 Boston Music Awards, and were winner of Boston
Phoenix Best Music Poll 2001 and 2002 also in the
category of Best Local Jazz Act. Garrett performed
with Dead Cat Bounce between 1996 and 2002 and
released two albums with them: "Lucky By Association"
and "Legends of the Nar" (Chonsky).
Between '99 and '01 Garrett performed with Bob Moses'
Mozamba, along with Sam Kininger and Neil Evans
(Soulive) and (DJ) Mr. Rouke. Mozamba performed at
several festivals including an opening set at Phish's
In 2002 Garrett joined the Boulder, CO based group The
Motet and toured the country playing over 250 shows
and festivals per year. In 2006 The Motet played in
front of an estimated 10,000 people at Bonnaroo and
shortly there after Bass Player Magazine wrote a
feature profile about Garrett in October, 2006. In
2007 the Motet performed one special gig with
Christian McBride where Garrett and Christian traded
bass lines and solos throughout the night, a career
highlight. Garrett has released two albums with the
Motet: "Music for Life" and "Instrumental Dissent".
In 2006, Garrett had the great honor of subbing for
Kai Eckhardt in his band Garaj Mahal alongside Fareed
Haque, Eric Levy, and Alan Hertz.
After performing several times with keyboard wizard
Kyle Hollingsworth (String Cheese Incident), he asked
Garrett in 2007 to join a new project called Soleside
featuring Speech (Arrested Developement), DJ Logic,
and Chief Excel (Blackalicious).
Since the Fall of 2007 Garrett has been touring the
States, Europe and Japan with Koch recording artist
Garrett has also been featured with: Carl Thomas,
Loulou (Thievery Corporation), Marcus Eaton, Goodbye
Champion, magicgravy, Henry Butler, Russel Batiste
(The Funky Meters), Steve Perkins (Jane's Addiction),
Robert Walter, and Papa Mali.
Adam was inspired by hip-hop at an early age, listening closely to Public Enemy and Eric B and Rakim. Adam began his production career by making loops on a tape deck in his bedroom and has gone on to produce tracks for some of today’s top artists including Ledisi, Matisyahu, 50-Cent, Redman, Talib Kweli, KRS-One and MF Doom.
Adam has done major session work on drums for artists including Justin Timberlake, Daniel Bedingfield, Anthony Hamilton, DJ Quik and Wycleff, Black Rob and Afu-Ru and the Fugees record, sure to be one of the year’s biggest records. Recently Adam has made appearances touring with Pretty Lights, The Game (The Tonight Show), Slick Rick, Lauryn Hill, Pras of the Fugees, GZA of Wu-Tang Clan, Dead Prez, the Ying Yang Twins, John Medeski, Meshell Ndegeocello and his own Fyre Dept as well as being a regular part of Wycleff Jean and Eve’s band.
In his third year at the Berklee College of Music in Boston, he joined the world renowned Average White Band, with whom he performed for the two following years. Adam was featured on the band’s DVD, Live in LA, recorded at a sold out show at the House of Blues, and showed the band was at it’s best. While touring with AWB, Adam performed alongside many of his heroes including Earth, Wind and Fire, Tower of Power and Chaka Kahn.
Adam is a founding member of Lettuce, who has been recording and touring for 15 years. Lettuce features such noted musicians as Eric Krasno, Ryan Zoidis, Sam Kininger and Neal Evans of Soulive, Erick Coomes, Adam Smirnoff (Robert Randolph) and Rashawn Ross (Dave Mathews Band). Lettuce is a funk powerhouse with a cult following from NYC to Tokyo. Lettuce’s third studio record, RAGE! was released in April 2008 to rave reviews and sold out shows.
Adam has branched out from hip-hop and funk, recording and touring with jazz legend John Scofield. Adam has recorded on two of John’s latest records (both released on legendary label Verve Records), Up All Night, for which he also shares composers credit on many of the tracks, and the Grammy nominated Uberjam.
Recently, Adam’s focus has been on Break Science, his electro duo with collaborator Borahm Lee. Break Science club music in the vain of a “Live Mix Tape”, blending live trip-hop, broken-beat, dub, drum & bass and of course, hip-hop.
While in Denver, Dan is a regular member of the Kyle Hollingsworth Band (of String Cheese Incident), The Motet, Supercollider, Rekha Ohal trio and the Jonny Mogambo Band. Dan also regularly works with the Denver Center for the Performing Arts (DCPA) as an orchestra-pit musician, where he recently was contracted for Molly Ringwald's "Sweet Charity", Oprah Winfrey's "The Color Purple" and Dolly Parton's "9-5".
Dan grew up in Seattle, Washington, where he learned to hide from the rain, compile an awesome collection of flannel T-shirts, and build igloos in the snow. The son of an opera singer and a research scientist, Dan grew fond of music and creativity at a young age. He was in advanced ceramics in the 8th grade and got an A-.
Dan first started playing guitar at age 12, learning as many Iron Maiden and Black Sabbath tunes as possible. This continued to progress into the early 90s and the heyday of Seattle grunge scene. After transcribing Nirvana's "Nevermind" album in its entirety along with Pearl Jam's "Ten" during freshman year of high school, Dan knew all he ever needed to know about the guitar and retired.
After a lengthy 3-month hiatus Dan's first teacher and musical mentor, David O'Suna, gave him a copy of "Wes Montgomery Plays the Blues" and John Coltrane's "Giant Steps". Dan's life now took a turn for the better as he realized he would be embarking on a life long journey of musical exploration and improvisation.
After graduating from Shorecrest High School in 1995 Dan earned a scholarship to the University of North Texas's College of Music. While in college he was able to study and play with notable musicians such as Fred Hamilton, Dan Hearle, Ed Soph, Mike Stern, Joe Diorio, Ron Eschete, Wayne Krantz, Dave Liebman and many others. At UNT Dan received a world-class education in jazz and classical performance, composition, arranging, and barbecue.
Dan's passion for music has led him to tour all over the country playing primarily with jazz, blues, rock, funk, singer songwriters, and jam bands. His passion for music is equally paired with his enthusiasm for nature and the outdoors, which is why he currently lives at the edge of the Rocky Mountains in Denver, CO.
Cervantes' and The Other Side - DUAL VENUE
2637 Welton Street
Denver, CO, 80203