311 / Method Man & Redman w/ Collie Buddz, PROF, Long Beach Dub Allstars, Chali 2na (of Jurassic 5) @ RED ROCKS AMPHITHEATRE

Cervantes' & AEG Present

311 / Method Man & Redman w/ Collie Buddz, PROF, Long Beach Dub Allstars, Chali 2na (of Jurassic 5) @ RED ROCKS AMPHITHEATRE

Thu, April 19, 2018

Doors: 4:00 pm / Show: 4:15 pm

$55 - $150

This event is all ages

311
311
311 was formed in 1990 in Omaha, Nebraska by singer/guitarist Nick Hexum, singer S.A. Martinez, guitarist Tim Mahoney, drummer Chad Sexton and bassist P-Nut. The band now resides in Los Angeles, California.

311 mix rock, rap, reggae and funk into their own unique sound. After years of consistent touring, 311 have developed a reputation as one of the hardest working, most influential and most entertaining live bands in the U.S.

311 have released ten studio albums, one live album, one greatest hits album and three dvd's - and have sold over 8.5 million albums in the U.S. Seven of their albums have reached the Top 10 on Billboard's Top 200 Sales Chart...and nine of their singles have reached the Top 10 on Billboard's Alternative Rock Radio Chart (including the #1 singles Down, Love Song & Don't Tread On Me. Along with Amber, All Mixed Up, Come Original, Creatures For Awhile, Hey You and Sunset in July).

311’s upcoming album STEREOLITHIC (on 311 Records and distributed via INGrooves), has a release date of March 11, 2014 (“311 DAY”). The album features 15 new songs and is currently on Pre-Order at www.pledgemusic.com/ThreeEleven.

That same day 311 will play their special 311 DAY show at the New Orleans Arena, which attracts thousands of dedicated 311 fans from around the world. Tickets have already been sold to fans in all 50 U.S. States and 15 countries. The show includes an extended setlist (60+ songs) and state of the art production.

The band's celebratory live shows & incessant touring schedule have earned them a massive grassroots following nationwide. Since its inception in 2004, 311’s annual summer headlining amphitheatre run, Unity Tour, has become one of the largest modern rock concerts of the summer. Support acts on previous Unity Tours have included Sublime with Rome, Cypress Hill, The Offspring, Slightly Stoopid, Snoop Dogg, The Roots, Papa Roach, The Wailers, O.A.R., Matisyahu, and Ziggy Marley.
Method Man
Method Man
In the dark, womb-like sanctuary of Jimi Hendrix's Electric Lady studios in downtown Manhattan-a place that has birthed historical musical moments-sits the artist known as Iron Lung, Tical, Wu Brother #1, Johnny Blaze, and of course...Method Man. With a trusty, half-lit blunt by his side, he is lounging in front of white grand piano, his hands sweeping the keyboards, trying to remember a tune he memorized years ago.

Maybe the idea of one of hip hop's finest-and grimiest-emcees tickling the ivories sounds odd, or out of place, but Mr. Mef has never been the type to fit in. His husky, guttural voice is perhaps the most distinct in the game, his flow-dark and complex like the graphic novels from which he took his moniker from-can bury itself in cinematic tracks from RZA, complement the voices of R&B divas and or attack party tracks from Rocwilder. Whether he is trading verses with partner in rhyme, Redman, crowd surfing at a Wu Tang show, or stealing a scene in various television shows and films, Method Man is a true individual spirit. With his latest album, 4:21, The Day After, he is also focused on being a true artist.

Unlike some previous efforts-where Meth admits his priorities were different-on this new album, he says he's focusing on lyrics. After his last album, Tical O: The Prequel, he went through an especially rough time in his life-both personally and professionally-which provided him with a bulk of material. "I had a lot on my mind at the time and the second thing was, I decided to really talk about something and I had a lot to draw from and when the pen hit the paper it was like damn, remember this? And by the time I was done it was like shit, let's go." The result is his most personal and introspective work yet.

Doing the work behind the boards on 4:21, are Wu Tang mastermind and long-time collaborator, RZA as well as Scott Storch, Havoc, K1 and Eric Sermon. "With Eric, we did three songs in three days," Meth says with an amazed smile, "He just comes in with ideas of top. And with RZA, shit, I've watched him build tracks from scratch, so all I really have to do is put the pen to the paper". Eric Sermon provided the beat for Meth's first single, "Say", featuring Lauryn Hill. The track finds Meth addressing critics, fickle fans and haters for disrespecting him and his Wu Tang brethren.

"I've been venting about all this for years and [my manager] was like, 'Write about it, Eric has the perfect joint.' And, Lauryn Hill herself, she just had the raw emotion, the small things she said on the song was enough for me to push my pen and let myself be vulnerable." Meth says his ability to let himself be so open is in line with the entire concept of the album, and its title. "The national weed smoking day is 4/20, so I named my album 4/21 the day after. Because after that day, you have this moment of clarity when you're not high and you see things clearly." The Grammy-winner sighs and continues, a serious, determined look on his face. "You feel like you're not in on the joke, and everyone's laughing at you. I felt like no one was taking me seriously. I got real angry and I just starting writing."

Anger proved to be a great motivator, as the Ticalion Stallion wrapped up the album in a few short months. He says the creative process has been cathartic, and though his skin hasn't gotten any thicker, he's able to use his writing talent to inspire self-confidence. "It's real talk, I'm going to keep my spirits up and not let it get things to me. You know, if you start reading your own press and feeding into it, and you start questioning yourself, like, 'am I wack?' and you have to be like, 'No!' I learned to pat myself on the back, and that it's ok to pat myself on the back sometimes." We definitely agree.
Redman
Redman
New Jersey rapper Redman made his initial impact with Whut? Thee Album in 1992. He blended reggae and funk influences with topical commentary and displayed a terse, though fluid rap style that was sometimes satirical, sometimes tough, and sometimes silly. Redman returned in 1994 with his second album, Dare Iz a Darkside, which was a harder album than his debut. Muddy Waters, Redman's third album, followed in 1996; he returned two years later with Doc's Da Name. New album "Red Gone Wild" Thee Album in stores now
Collie Buddz
Collie Buddz
Light It Up, the new record from artist Collie Buddz, is momentous, gigantic and booming! It’s immediately undeniable an awe-struck song complete with an unforgettable sing-along hook, the kind of beats that pound in the chest and a vocal performance that's as uncommon as it is infectious.

A hit record is probably the only thing that makes Salaam Remi pause his day. Remi, most known as one of the top-selling music producers in the world [Fugees, Usher, Fergie, and Amy Winehouse] and Executive Vice-President at Sony Music knows an irrefutable song when he hears it. After discovering Light It Up, Remi made an offer to Collie Buddz to join his label imprint Louder Than Life, a division of Sony Music Entertainment.

"Salaam knows music. It feels good. I want to reach a certain level with my career and go places I haven't gone yet. Being with Sony Music definitely helps with that," Buddz says with some anticipation.

Light It Up, is a new anthem spreading across every college campus and radio stations, but the artist that created the tune has a name that may sound familiar to some music fans. Buddz exploded onto the scene a few years ago when critics and tastemakers alike embraced him - Spin Magazine proclaiming, "Buddz proves the pop rule: Catchiness transcends color." From Vibe Magazine to Entertainment Weekly, Collie Buddz made quite an impression with music critics.
PROF
PROF
Prof, the newest signee to Rhymesayers Entertainment, is already a legend on the southside of Minneapolis. With three self-released albums, plus three additional mixtapes of exclusive material already under his belt, it should come as no surprise he's been tirelessly making music for over a decade. While he's continued to develop over that time, both musically and artistically, he's also fine-tuned his live show to such a spectacle that he's undeniably made a lasting impression on the scene. As an entertainer, Prof shows incredible diversity. Whether artistically, or characteristically, he purposefully maneuvers between the parallels of inconceivable experiences and extraordinary fantasies. From the factual to the fictitious, there’s seemingly no end to the number of unique narratives or deliveries at his disposal. Once considered the underdog, Prof has fought his way to the forefront of the scene and amassed a ravenous following along the way.

On Liability, Prof describes our world; a place where a harsh environment and poor circumstances can make someone abandon their expectations and change their moral compass. The album takes the listener on a journey of incredible range, and ultimately calls attention to the often unseen conditions that lead individuals down the regrettable paths of being fighters, drunks, drug addicts– or simply put, liabilities. With impressive guest appearances from Tech N9ne, Waka Flocka Flame and Petey Pablo, and a list of production credits that includes Ant (Atmosphere), Aesop Rock, Big Chocolate, Mux Mool, Curtiss King and more, this album is without a doubt Prof's greatest work to date.
Long Beach Dub Allstars
Long Beach Dub Allstars
American band from Long Beach, California, who play a mixture of punk rock, reggae, dub, ska and hip hop. Founded in 1997 by surviving members of Sublime (2), they stopped in 2002. Some members formed Long Beach Shortbus (with musicians from Falling Idols, Bargain Music, Slightly Stoopid or Capitol Eye), others formed Dubcat (with members of Hepcat). LBDA reformed in 2012.
Chali 2na
Chali 2na
Chali 2na MC. Musician. Actor. Painter. Renaissance Man.

Chali 2na has done it all. From his days growing up on the hardscrabble streets of Chicago’s south side, to his subsequent explosion onto Los Angeles’ burgeoning hip-hop scene, to his tenure as MC for seminal hip-hop group Jurassic 5, Chali epitomizes the portrait of a 21st century artist.

To be sure, with his unmistakable, beloved baritone, Chali has firmly established himself as one of the most distinctive, charismatic personalities not just in hip-hop, but music in general.

Only a select few can say they’ve rocked microphones in front of thousands at a sold-out arena in Tokyo with Jurassic 5, spit rhymes at Lollapalooza, painted professional caliber oil color paintings in their California home and lent their distinctive bass-heavy voice, to such mega-brands as Coca Cola and Sega Dreamcast.

Now, buoyed by the wide spectrum of socio-cultural and geographical influences that have shaped him—hip-hop’s Renaissance man released his first solo album Fish Outta Water on Decon Records in the spring of 2009.

Indeed, this deeply personal body of work reveals a side of the long time Jurassic 5 and Ozomatli front man that his fans have never seen, a story from start to finish of his life, loves, triumphs and let downs, weaving in a powerful selection of beats from the likes of Scott Storch and Jake 1 and memorable appearances from Damian “Jr. Gong” and Stephen Marley, Anthony Hamilton, Beanie Man and others.

“I wanted this album to expose who I am as an artist. The majority of people know me from Jurassic 5 and Ozo, but I felt like nobody knew me as an artist,” Chali says. “I want to show you all facets of who I am. Man. Husband. Brother. Father. Son. Painter.”

Indeed, Chali’s diverse tastes—from the blues he was raised on to the political gangsta’ rap he loved to the graffiti art he sprayed as a teenager—flow from this album, like the oil colors Chali uses for his paintings.

There’s the Fury-produced,“Righteous Way,” an interpolation of Curtis Mayfield’s “The Makings Of You,” where Chali tells the story of his life through the eyes of his father, his 17 year- old son and himself.

Or the Scott Storch driven “Love Is Gonna Get You,” where Chali offers up his own take on the fabled KRS-One song that inspired this 21st century version.

“KRS was talking about how love was going to engulf his brother. This song talks about how love makes you do the strangest things, how it infects your heart and changes you forever,” he said.

Of course, no body of work involving Chali 2na would be complete without his trademark, articulate, spitfire rhymes, the sort of fearsome battle raps which first caught the ear of so many back when he honed his skills in Los Angeles’ storied underground hip-hop scene of the early nineties.

On “Don’t Stop,” featuring the ever soulful Anthony Hamilton, Chali beckons everyone– from revolutionaries to thugs to dime pieces–to leave their troubles at home over a melodic, flute-infused hook.

“Getting sick of the bickering from my peers and such. Bringing lyrics to keep your ears in touch,” he rhymes, daring anyone to test his mettle while playfully requesting that you too take your body to the dance floor in the same breath.

Indeed, Chali’s debut features a seemingly endless litany of groundbreaking tracks, which touch on topics the veteran musician has never bared to his listeners before. Whether it’s the trauma he experienced from the shooting death of a childhood friend to the twists and turns of his own family lineage, to the resistance to injustice that has always been imbued in Chali’s music, Fish Outta Water, is quite simply, a life’s worth of songs in the making.

Says Chali: “I want to free people’s asses and let their minds follow. To not be preachy, but to make them aware of what I’m about. I want to enlighten, but I ain’t trying to be a bumper sticker either.”

No doubt, there’s still plenty of fire in Chali’s lyrical arsenal. His days of training at the legendary Los Angeles hotspot, the Good Life Café, have taught him well. Only now, he’s fused the bass-heavy bravado with his own life’s story, and in doing so, creates an album of work that’s not only superb, it’s important.
Venue Information:
Red Rocks Amphitheatre
18300 W. Alameda Parkway
Morrison, CO, 80465
http://www.redrocksonline.com/