Dave Watts & Friends ft. Dave Watts (Motet), Jason Hann (SCI), Roosevelt Collier, Ian Neville (Dumpstaphunk), Chuck Jones (Dopapod), Todd Stoops (RAQ), Jans Ingber & Camille Who?, Gabe Mervine (Motet), Nick Gerlach w/ Big Mean Sound Machine

Dave & Scott's 92nd Birthday Bash Presents

Dave Watts & Friends ft. Dave Watts (Motet), Jason Hann (SCI), Roosevelt Collier, Ian Neville (Dumpstaphunk), Chuck Jones (Dopapod), Todd Stoops (RAQ), Jans Ingber & Camille Who?, Gabe Mervine (Motet), Nick Gerlach w/ Big Mean Sound Machine

Sat, January 27, 2018

Doors: 8:00 pm / Show: 9:00 pm

$15 Advance / $20 Day Of Show

This event is 16 and over

Dave Watts
Dave Watts
A graduate of Berklee College of Music in 1990, Dave
Watts has shared the stage or recorded with such names as
George Porter, Stanley Jordan, Bill Evans, Charlie Hunter,
Steve Kimock, Oteil Burbridge, Jeff Coffin, Kyle
Hollingsworth, Keller Williams, Jeff Pevar, Kai Eckhardt.

In 1998 Watts started The Motet, a progressive funk outfit
with roots in jazz, world, and electronic music. Since that
time, The Motet has toured coast to coast, building a
national performing at such venues as Red Rocks
Amphitheater, The Fillmore West, The Fillmore in Denver,
Freihoffer’s Jazz Festival in Saratoga Springs, and many
other prominent summer music festivals. As a creative
force behind The Motet, Watts produced, engineered,
mixed, recorded, as well as composed most of the material
on the band’s albums, “Instrumental Dissent” and “Dig
Deep”.
Jason Hann
Jason Hann
Jason Hann is an accomplished percussionist/drummer who has been playing professionally since the age of 12. Growing up in Miami, Florida, he was exposed early to international music through his father, who is also a musician, and embraced his Colombian heritage through his mother. Music has taken him around the world, studying first hand in countries such as Mali, Ghana, Haiti, and Korea, both learning and performing folkloric and contemporary music of the land. A dynamic performer, Jason has also toured and recorded internationally within many different genres of music including Rock, R&B, Pop, Jazz, Latin, Latin-Jazz, Flamenco, African, Persian, Electronica, Techno and World music.
Roosevelt Collier
Roosevelt Collier
Soft-spoken by nature, south Florida-bred Roosevelt Collier does his hollering on the sacred steel guitar. Brought up in the tradition of the House of God Church, Roosevelt built his reputation alongside his uncles and cousins in The Lee Boys, known for their spirited, soul-shaking live performances. Seated front and center, "The Dr." leaves an indelible mark on listeners, flooring audiences with his lightning-fast slide work on the pedal steel. At festivals, he is a regular "Artist at Large," performing alongside many of music's most prestigious acts, from the Allman Brothers, to the Funky Meters, to Los Lobos to the Del McCoury Band. Whether on tour with the Lee Boys, bouncing from stage to stage at festivals, or hosting an allstar get down in Miami, when Roosevelt takes the stage, the ear-to-ear grins can’t help but be contagious.
Ian Neville
Ian Neville
Dumpstaphunk - Guitarist
Chuck Jones
Chuck Jones
The Boston born, now generally Northeast based, but ever on-the-go Dopapod has come a long way from their college basement, DIY party roots. While maintaining to be as grassroots as their humble beginnings, the group has earned praise from taste making critics like Huffington Post, Jambase, and Relix, all the while tending to their ever expanding community of devoted listeners. The past 4 years have individually held the weight of about 150 shows, and included numerous festival appearances like Wakarusa, Summer Camp, Electric Forest, Camp Bisco, Peach Fest, & Gathering Of the Vibes. All of this time on stage together has given the band the opportunity to explore the wide variety of influences that has impacted them to be the players they are today. But, don’t be quick to think that the no holds barred openness to experimenting is unguided. While the brush in their hand uses every color, it’s the stroke on the canvas that gives Dopapod a distinct voice in the way of crafty songwriting.
That calculated compositional mindset and restless nature to never sit too still is what has allowed Dopapod to fully realize their fourth studio release, Never Odd Or Even. Guitarist/vocalist Rob Compa giddily tells, “We really felt that the material this time around represented a big leap forward, not just in the way we’ve been interacting as a band, but in the way our focus has become sharper in paying attention to things like melody, theme, lyrical imagery, and structure – all the elements that make a great song.”
Determined to have that maturity translate in the studio, the band enlisted friend and producer Jason “Jocko” Randall to both engineer and produce the record. Keys/vocalist Eli Winderman couldn’t be happier about how things went. “We lived at his studio for about a month for these sessions and it just clicked right away. Jocko immediately became another member of band in many ways. With his attitude and approach to the recording process, we were able to really dial in the sounds we wanted, get those perfect takes we were aiming for, and have a blast the whole way through.”
Dropping on November 11, in the midst of an extensive Fall Tour, Never Odd Or Even is the spark that the band plans to ignite while in full stride of capping off an exciting year and launching them into the next.
Todd Stoops
Todd Stoops
Todd Stoops is a keyboardist and composer best known for his eclectic and percussive approach to his instrument. Stoops has been a member of the Vermont quartet RAQ since 2002, as well as the founder and former keyboardist / composer for CT funk outfit Kung Fu, and most recently the San Francisco Bay Area groups Electric Beethoven and Rooster Conspiracy.
Jans Ingber
Jans Ingber
Formerly of The Motet..........13 years and counting of front range madness, such a blessing to still be rocking it with my musical compatriots. What I can tell you is, The Motet throws really good dance party's. Ill keep you posted on where the latest party is happening.

2. My own group.....I've played a handful of gigs doing songs off my first release "The Offering"
and plan to do much more here in Oregon, over the next year. http://jansingber.bandcamp.com/

3. The Everyone Orchestra - The madness and genius of Matt Butler and his vision of conducted improvisation. I love playing in this group and the 100's of musicians who take part of this musical alchemy. I recorded an album with EO this year with an absolute all-star cast.........and its really good. http://www.everyoneorchestra.com/

4. The Soulmates - These some of my favorite musicians in the world. Reinhardt Melz, Jarrod Lawson and the one and only Jay "Bird" Koder. We play around Portland. https://www.facebook.com/soulmatesmusic

5. Joey Porter's Tributes - In Portland we have been putting our own touches on the masters (Stevie Wonder, Michael Jackson, Herbie Hancock, The Meters and Sly and the Family Stone) These shows have been gaining in popularity and selling out in Portland and Seattle http://www.funktributes.com/

6. Juno What!? These are my dear friends and I recorded on their first two albums. Shameless Dance Music!!!
http://junowhat.net/

7. BluSirkut - very well produced electro/pop/hip-hop/funk/rock/bangra/soul I also recorded with this group this past year and love some of the cuts. https://www.facebook.com/blusirkut
Gabe Mervine
Gabe Mervine
At a time in music where history and originality never seem to go hand in hand, Gabriel Mervine takes steps every time he picks up his trumpet to bring these two closer together. With a musical upbringing, Gabriel has deeply rooted himself in the traditions of Jazz and Classical music while at the same time contributing to the modern music scene. He wishes to leave no stone unturned and no genre unexplored because in his mind, all music has the power to make the artist who he/she is.

Born in Bridgewater, New Jersey, Gabriel began his professional playing career at the age of thirteen years old. By the time he graduated high school he was already looking at making a career out of playing the trumpet. He then went to the Colorado University at Boulder for Jazz Studies, but after one year decided to dedicate his time to becoming a working trumpet player, which would include continuing his studies privately with people such as Bobby Shew, Roger Ingram, and Greg Gisbert just to name a few. Gabriel quickly gained recognition and began performing with people such as Natalie Cole, Christian McBride, Chie Imaizumi, the Ninth and Lincoln Orchestra, Terence Blanchard, Russell Malone, Maceo Parker, Fred Wesley, Steve Lippia, John McNeil, Convergence, Roberta Gambarini, the Motet, and Houston Person while also building a strong freelance career playing everything from Mariachi to Mahler.
Nick Gerlach
Nick Gerlach
Saxophonist for Turbo Suit.
Big Mean Sound Machine
Big Mean Sound Machine
“BMSM might be one of my favorite bands on the planet. With a horn section to kill for, a drummer that can put me in a beat coma instantly, and a knack for hitting grooves in a pantsless stride, they aren't easy to ignore,” writes Joel Frieders of SYFFAL.com and he’s not kidding. For a band without a lead singer, Big Mean Sound Machine has character in spades. When assembled from a selection of the finest, well-lubricated, musically brilliant human components, the final result is the aural equivalent of positive feeling, “...the embodiment of feeling… delicious,” writes Frieders. People dance when a rhythm moves them, and there’s no defying instinct when Big Mean Sound Machine is on stage.
Anyone who has experienced the band in action knows that their performances are the heaviest and sweatiest. “Incorporating Caribbean, African, and Latin sounds and everything in between, these musicians… sound as though they’ve been playing together since the sandbox days. They transition effortlessly from a collective of trombone, sax, and trumpet to riveting soloists. Then, there is heavy bass before… percussion, guitar, or keys take the limelight, and when [they’re] not playing simultaneously, those who are stepping aside are jamming out as if they were in the crowd with the rest of us,” writes Mary Mistretta of UpstateLIVE. A polyrhythmic monster with a crisp, constant, unrelenting groove, the band brings together many musical traditions in a unique blend that reinterprets and reanimates live dance music unlike any other band playing today.
At the band’s birth in Central New York State, the founders wanted to set themselves apart artistically while honoring the true, primal reason that people listen to music in the first place: because good music feels good; and though their sound has evolved since their inception in June 2009, they have stayed true to their mission for the better part of a decade. Few bands can trace their roots all the way back to a specific set of values shared in casual conversation among good friends; in the case of Big Mean Sound Machine, honoring the ideas the group was founded on seems to be more of an instinct than a choice.
Big Mean is contemporary proof that it’s possible to create art that stimulates the body while also challenging the mind to explore beyond the status quo. “For the listener who stops shaking to pay attention at a Big Mean show, they can find a musical education,” writes Josh Brokaw of The Ithaca Times. Borrowing elements from traditional afrobeat, roots reggae, ethiojazz, and funk among others, “Big Mean’s [style] is not easily captured by the precise, genre-parsing descriptors of a contemporary music press that’s uncomfortable admitting to being surprised with a new sound,” writes Brokaw. Their instrumental soundscapes have no overt messages yet they’re anything but barren. “You get the feeling of walking the streets in a city late at night as those who are up to no good are coming out of their homes searching for their next score,” writes Bryan Lasky of NYSmusic.com. “Seamed together by an amazing rhythm section… the core of the group commands attention while providing a passionate and constant groove,” boasts Vinyl Fluid Records, noting the fact that this purely instrumental band stimulates audiences both physically and cerebrally, though devoid of vocal indoctrination. The theme the band delivers again and again through evolving rhythms and melodies is to enjoy music for its creativity and musicality, and the way it makes you feel in every sense of being able to feel.
Venue Information:
Cervantes' Other Side
2637 Welton St.,
Denver, CO, 80205
http://www.cervantesmasterpiece.com/