Lettuce & The Floozies w/ The Funk Hunters & Jaw Gems @ RED ROCKS AMPHITHEATRE

Cervantes & Live Nation Present

Lettuce & The Floozies w/ The Funk Hunters & Jaw Gems @ RED ROCKS AMPHITHEATRE

Fri, June 8, 2018

Doors: 5:00 pm / Show: 6:00 pm

$29 - $75

This event is all ages

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Announcing LETTUCE & THE FLOOZIES live at Red Rocks Amphitheatre Friday, June 8, 2018.

A $29.50 GA early bird ticket will be available at on-sale while supplies last. Tickets are then $39.50 GA ADV and $45 GA DOS plus applicable service charges. A VIP ticket is available for $75.

PURCHASE TICKETS ONLINE AT AXS.COM OR CHARGE TICKETS BY PHONE, CALL 888.929.7849

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Lettuce
Lettuce
For more than two decades, Lettuce have brought a new vitality to classic funk,matching their smooth and soulful grooves with a hip-hop-inspired urgency and mastery of beat. Now, on their fourth studio album Crush, drummer Adam Deitch, guitarists Adam Smirnoff and Eric Krasno, bassist Erick “Jesus” Coomes, keyboardist Neal Evans, saxophonist Ryan Zoidis, and trumpet players Eric Bloom and Rashawn Ross deepen that sound by channeling the sonic freedom and infectious energy oftheir incendiary live show.

Produced by Lettuce and Co-Produced recorded/mixed by Joel Hamilton at Brooklyn’s Studio G, Crush first came to life on the road, with the band developing new material and testing it out live as they toured. “We’ve all noticed that our music goes into a lot of different directions onstage, and we wanted to capture that in a way that we never really have before,” says Coomes, who names classic psychedelia and ‘90s hip-hop among Lettuce’s key inspirations on
Crush. “It’s definitely more wide-open in terms
style, but it still stays true to the funk.”

The follow-up to 2012’s Fly, Crush finds Lettuce brilliantly infusing their psychedelic and hip-hop sensibilities into bass-heavy funk. With its spidery guitar work and hypnotic beats, “Phyllis” is a delicately sprawling epic that embodies what Deitch refers to as “a chill-hop vibe that’s kind of the flip-side of all that powerful uptempo funk that people might expect from us.” On “Get Greasy,” Lettuce give a nod to the
groove-fueled EDM subgenre known as future funk, building off its highly danceable rhythm with a blissfully loose and horn-laced arrangement. And on “He Made a Woman Out of Me,” guest vocalist Alecia Chakour lends her bluesy growl to a scorching take on Bobbie Gentry’s 1970 country-soul classic.

Whether paying homage to Led Zeppelin on the fiery and guitar-driven “Silverdome” or delivering a deeply riveting and richly textured hip-hop medley with “Oresteia,” Lettuce maneuver through Crush’s kaleidoscopic sound with sophisticated ease and powerful synergy. “More so than any of the records we’ve done before, this album is very much about the improvised grooves and improvised solos,” says Krasno. “Instead of going at it like, ‘Here’s a melody, now here’s a guitar solo, here’s another
melody, here’s a sax solo,’ everyone’s leaning on each other in a way that’s completely unspoken. It’s all of us moving as one unit and creating this new sound together.”

According to Lettuce, that sense of unity and togetherness has much to do with a camaraderie that’s only intensified over the lifespan of the band. Formed in 1992, when several band members attended a summer program at Boston’s Berklee College of Music as teenagers, Lettuce was founded on a shared love of legendary funk artists like Earth, Wind & Fire and Tower of Power. After returning to Berklee
as undergrads in 1994, Lettuce started playing in local clubs and steadily built up a following that soon extended to cities across the country and then throughout the world. Releasing their studio debut Outta Here in 2002 and its follow-up album Rage!in 2009, the band dedicated the coming years to balancing their frequent touring with involvement in a host of other musical endeavors (including Evans and Krasno’s role as founding members of acclaimed soul/jazz trio Soulive).

In recent years, Lettuce have watched their fanbase expand as they’ve hit bigger and bigger stages and earned their name as a can’t-miss festival act. And in making Crush, the band had no trouble harnessing the spirit of their explosive live show. “Some of these shows we’ve played over the past couple years have been so amazing, it’s like you go home a different person,” says Coomes. “I’m sure
remembering those moments in our minds and our hearts helped bring out something special when we were recording these new songs.”

So while Crush offers everything from all-out party jams to headphone-ready journeys into space funk, each track was born from an unabashed joy and love of live performance. “That energy we get when it’s prime time and we’re about to go onstage and we’re just excited beyond belief—that all came out on this new album,” says Deitch. “There’s a feeling that the band is rising, and it’s a really beautiful thing.”
The Floozies
The Floozies
Just outside the jazz mecca of Kansas City springs liberal oasis Lawrence, Kansas—separated only by the waves of wheat from the epicenter of the electronic music revolution in Colorado. From Lawrence, it would logically follow that an act could rise to prominence fueled by the swing of Basie, the birth of Charlie Parker’s bebop, and the wild frontier of electronica. Born in funk and bred in the digital age, live electronic duo The Floozies have burst onto the scene at a time when the industry needed them the most.
Brothers Matt and Mark Hill share the stage just as easily as they share a musical brain. Without a setlist, and without a word between them, Matt’s guitar is in lockstep with the thud of Mark’s kick. Endless looping and production builds the raw scenery upon which palm muted chugs, searing solos, and wobbling bass paint their dazzling array of colors.
Well versed in everything from Chris Cornell to Kavinsky, the sonic vision shared by the brothers eschews contemporary electronic influences in favor of broader, deeper tastes including Zapp & Roger, Lettuce, and Amon Tobin. That wide-angle view of a century of popular music allows the Hills to remix Toto and The Dead—in the music you can hear reverence for the giants of the past, all the while producing wildly futuristic tunes for the masses to dig now.
When the pendulum swung as far as it could away from live instrumentation to laptops, The Floozies rose up to the challenge, swinging as hard as they could in the other direction with neck- snapping, knee-breaking funk so dirty that the gatekeepers stood up, wiped themselves off, and took notice. A bold live show full of sonic exploration and unbreakably deep pocket grooves has landed the brothers on stage with luminaries of the jam world Umphrey’s McGee as readily as electronic elites STS9 and Big Gigantic. Sold out shows across the Country, huge festival appearances at Bonnaroo, Electric Forest, High Sierra, Summercamp, Wakarusa, Camp Bisco, Summerset, Bumbershoot, and a sold out Red Rocks show with Griz have continued to cement the duo’s ascent.
The Floozies are bringing the funk back, and they’re right on time.
The Funk Hunters
The Funk Hunters
Borrowing inspiration from classic funk and hip hop, The Funk Hunters are putting the soul back into electronic dance music. Having honed their craft at over 450 performances in 16 countries, the DJ duo's show is a brilliant technical display of creative collaboration between 4 turntables. But words can't do justice to two friends whose passion is dance floor mastery – breathless audiences at global festivals including Wakarusa, Burning Man, Rhythm & Vines, Shambhala, Ottawa Bluesfest, and Envision are the ultimate testament.

The Funk Hunters' reverence for the roots of dance has also lead them into unique live collaborations, sometimes drawing on a cast of supporting musicians to add dimension to their signature sound. Most recently they toured North America with iconic rapper Chali 2na of Jurassic 5, who has called them "the selectah's of the century!"

Based in Vancouver BC, Nick Middleton and Duncan Smith elevate their signature bass heavy sound with their own stunning custom-curated visuals and animated stage presence. Spend an evening with this charismatic duo and you'll see that their lifestyle is as relaxed as the west coast, but their sound is global and booming.
Jaw Gems
Jaw Gems
“Jaw Gems conjure the aesthetic of Flying Lotus….creating rich, neo-soul tapestries…[Their] keyboard lines roll butter-thick harmonies [and] wrapped snugly around them are shimmering synthesizers, classic Moog timbres, and trebly, swishing rhythms and high hats.” – EARMILK

Jaw Gems, an electronic outfit from Portland, Maine, is a collective of young, experimental producers bringing beat-music – traditionally programmed and played on samplers – to a live band setting. The mesmerizing result is a harmonic convergence.

Combine legendary beat-makers like J Dilla and Flying Lotus with indie rock and electronic icons like Deerhunter and Washed Out, then add Radiohead’s dreamy ambience and you begin to approach the sound of Jaw Gems. Electronic musician, Daedelus, says “Jaw Gems have done the magic trick of delivering a thoroughly listenable instrumental album that you can also sing along to.”

“Dilla is the common thread for how we all met and began playing together,” says keyboardist Hassan Muhammad. “Not many people in Portland knew about him seven years ago, so through various friends we were all pointed out to each other and we were blessed with the opportunity to hold a weekly residency at a bar, playing all the stuff we liked and getting increasingly weird.”

Since their start in 2009, the band has been exploring sonic and rhythmic ideas that emphasize interlaced melodies and heavy grooves. First outfitted solely with dueling vintage synthesizers, a drummer, and an electric bassist, Jaw Gems have now incorporated a Roland sp404 and the Juno 106 analog synth, going on to employ the beat- repeating, sample-warping technologies of the present to help create their wall of sound. Armed with new gear, Jaw Gems were able to evolve their beats, trigger intricate samples, and alter sounds in an increasingly advanced way. “You can do so much with these devices, and we all have our own ways of using them,” says bassist Andrew Scherzer.

“In August of 2016, Jaw Gems delivered their second album, HEATWEAVER, via STS9’s 1320 Records. The 14-tracks create a thickly layered transcendental auditory world – a meticulously crafted collection grounded in a modern electronic aesthetic. HEATWEAVER melds neck-breaking, hip-hop synthesizers and nostalgic atmospheres, while simultaneously touching on elements of psychedelic funk, neo-soul, and punk rock.” Jaw Gems likes to keep their recording process relaxed to allow for creative diversity.

Setting up shop in a makeshift home studio, the band hunkers down and lets their songs come to life. Put four beatmakers in a room together for a week, and the outpouring of ideas could be endless. “As we develop as individual musicians each of our sounds morph and evolve in different ways, so when we come together to record we all bring something new to build upon,” says drummer DJ Moore. “Our creative process is never the same,” says keyboardist and sampler Tyler Quist. “On HEATWEAVER, we let some of our beats stay in a more bedroom beat format, and others we revamped to sound a lot more live.” In this case, Jaw Gems was left with a solid compilation attesting to their evolution as tenacious genre-bending producers.

Now, after catching the attention of acclaimed Alpha Pup Records, Jaw Gems will re-release HEATWEAVER on the label this September, with additional remixes of every track. This re-release will feature flips from T3 (Slum Village), Daedelus, Brady Watt (Talib Kweli/DJ Premier), THE GRID (Jon Cleary Band), Break Science, Russ Liquid Test, and more. Expect Jaw Gems’ next full-length album on Alpha Pup Records in the coming months, as well.

In addition to national tours, and landing their dream record deal, other recent Jaw Gems’ highlights include shared stages with icons such as My Morning Jacket, Flying Lotus at L.A’s legendary Low End Theory (his first appearance at the famed L.A. beat scene event in years), STS9, Lettuce, and many more.

Visit JAWGEMS.COM to join their mailing list and stay in the loop about upcoming tour dates.
Venue Information:
Red Rocks Amphitheatre
18300 W. Alameda Parkway
Morrison, CO, 80465
http://www.redrocksonline.com/