Shook Twins and Dustbowl Revival w/ The Copper Children (PATIO SET) - Official Arise Pre-Party

Shook Twins and Dustbowl Revival w/ The Copper Children (PATIO SET) - Official Arise Pre-Party

Thu, August 2, 2018

Doors: 8:00 pm / Show: 8:30 pm

$10 Early Bird / $15 Advance / $20 Day Of Show

This event is 16 and over

Shook Twins
Shook Twins
“I love the harmonies of the Shook Twins, the dreamlike songs that seem somehow permeated by the American Folk tradition, without actually being part of it. They make music that twines through your soul the way vines cover an abandoned shack in the woods.” – Neil Gaiman, New York Times – Best-Selling Author

“The Shooks will Shake you. These ladies have been keepin’ it real since the day they were born and that was only seconds apart from one another I think. Do yourself a favor and check ’em out. I do declare, ya won’t be sorry.” – Langhorne Slim

“The Shook Twins put on a heck of a show. Keep your eyes on these folks. I’m excited to hear what they do next.” – Tucker Martine

“A unique, personal music that lights up the stage with its joy and enthusiasm.” – Mason Jennings

Magic revolves around the number two. Opposite halves define our existence. There’s dark and light, black and white, night and day, yin-and-yang, and so on and so forth.

On their 2017 EP 2, critically acclaimed Idaho-born and Portland-based indie outfit Shook Twins draw on the inherent power of the group’s namesake duo—identical twin sisters Katelyn Shook [vocals, guitar] and Laurie Shook [banjo, vocals]. In early 2017, the pair holed up alone in a room with just two voices and two instruments and cut the seven-song collection live to tape, serving up bare bones renditions of fan favorites, covers, and one new tune entitled “Safe.”

“Musically, it differs from our other studio albums, because it’s just two twins in a room performing on two instruments,” explains Katelyn. “It’s much more raw emotionally and almost vulnerable. It’s nice to hear our growth as a duo and notice our individual grooves. It showcases these songs in a different way than they had been or will be recorded. It’s just a taste of the simplest core of our band: The Shook Twins.”

“It goes back to the very beginning,” adds Laurie. “When we were 18, we started writing songs together, just the two of us. We practiced how to blend our voices and instruments, trying to make our 2 voices and 2 instruments sound like one thing instead of 4 separate pieces. That’s how we started this whole musical life. We wanted to go back to that for a minute and remember.”
The process represents something of a full circle moment for Shook Twins. The group emerged in 2008 with their independent debut You Can Have The Rest followed by Window and 2014’s What We Do—which garnered acclaim from USA Today and more. Organically stirring up a buzz, they engendered fandom in fellow creators such as Langhorne Slim, The Lumineers, Mason Jennings, and iconic best-selling author Neil Gaiman who claimed, “They make music that twines through your soul the way vines cover an abandoned shack in the woods.” Along the way, the full band, including Niko Slice [electric guitar, mandolin, vocals], Barra Brown [drums, vocals, drum pad], and Josh Simon [bass, vocals, electric guitar, synth], has shared bills with everyone from Ryan Adams to The Indigo Girls. Moreover, they graced the stages of High Sierra, Bumbershoot, Hulaween, Floydfest, Summer Camp Music Festival, Oregon County Fair, Fayetteville Roots Festival, Northwest String Summit and many more in addition to performing at Red Rocks alongside Gregory Alan Isakov and Ani DiFranco. Their artful amalgam of folk heart, indie spirit, and alternative energy has effectively captivated fans internationally.
Now, 2 comes to life on the strength of the twins’ own musical union. Penned by a friend named Vance Bergeson, the first single “Mad Scientist” shuffles from rustic instrumentation into cinematic storytelling, weaving together its own mythos.

“Vance is a luthier and a mountain man, and this track is truly his essence,” explains Katelyn. “For some reason, we believed we had something to offer the song as well. We believe it needs to be heard by as many people as possible.”

They strip the What We Do centerpiece “Shake” down to its quaking and quivering acoustic essence. Meanwhile, the 2017 composition “Safe” illuminates their creative strides towards 2018’s forthcoming new full-length, Some Good Lives (recorded with the full band), bridging the past and present with its delicate songcraft and lovelorn lyricism.

“This is a brand new one that we wrote in a cabin by Mt. Hood recently,” explains Laurie. “It’s been a long year of unsure love in my life, so I resonated with the hook that Katelyn started singing while I was eating breakfast. It grew from there as a collaboration.”

As Shook Twins hit the road in support of 2 and ready their next body of work, their bond extends to listeners everywhere.

“I want people to feel like they know us,” concludes Laurie. “I hope it’s like we’re friends, and we’re just hanging out comfortably in our living room together.”

“If you’re a music listener and supporter, you make ALL the different to us,” Katelyn leaves off. “It would be a pretty pointless job, if you weren’t there.”
Dustbowl Revival
Dustbowl Revival
The Dustbowl Revival is a Venice, California-based collective that merges old school bluegrass, gospel, jug-band, swamp blues and the hot swing of the 1930’s to form a spicy roots cocktail. Known for their inspired live sets, the Dustbowl Revival boldly brings together many styles of traditional American music. Imagine Old Crow Medicine Show meeting Louis Armstrong’s Hot Seven Band in New Orleans or Bob Dylan and Fats Waller jamming with Mumford & Sons on a front porch in 1938.

Growing steadily from a small string band playing up and down the west coast (hundreds shows in the last two years), DBR has blossomed into a traveling collective featuring instrumentation that often includes fiddle, mandolin, trombone, clarinet, trumpet, banjo, accordion, tuba, pedal steel, drums, guitars, a bass made from a canoe oar, harmonica and plenty of washboard and kazoo for good luck.

With an enthusiastic and growing national following, DBR released their first LP “You Can’t Go Back To The Garden of Eden” to rave reviews. Their tune “Dan’s Jam”, received Americana Song Of The Year honors by the Independent Music Awards (Tom Waits, Ozzy Osbourne judging). The group has placed songs in several independent films and TV projects including “Made In China” (IFC) which won SXSW, and in an upcoming episode of FOX’s AMERICAN IDOL. National radio play includes LA’s KCRW and KCSN, Austin’s KGSR, SF’s KPFA and Seattle’s taste-making KEXP.

Their EP + vinyl 7’’ "Holy Ghost Station" was released in the summer of 2011 under the auspices of Raymond Richards with Rockets Red Glare (Local Natives) and in 2011-12 Dustbowl played with artists as diverse as The Rebirth Brass Band, Best Coast, Steve Martin and The Steep Canyon Rangers and more, hosting shows from Chicago to Seattle, Anchorage and San Diego as well as playing festivals like Outside Lands, Lightning In a Bottle, Make Music Pasadena and The New LA Folk Festival.

2013 has a new album Carry Me Home (produced by Eric Lilavois) on the way. Merging their vintage style with a hip, lose-your-troubles-and-start-moving vibe, the record perfectly encompasses the band’s upbeat message. Seeking to travel more widely in 2013, the band will be playing Mountain Song Bluegrass Cruise to The Bahamas (Punch Brothers, David Grisman) as well as venturing to Arizona, Colorado, Oregon and beyond.
The Copper Children
The Copper Children
The Copper Children are an indie rock band emerging out of the heart of Denver, Colorado. Their sound is a mix of indie-Americana, intertwined with soul-folk, influenced as much by mountain music as classic rhythm & blues. The band’s expressed musical functions are driven by a contemporary multi-focus genre, in which they challenges conventional thinking and preconceived notions of what soul-folk is, and aims to give an edge to the folk genre with unique instrumentation and songwriting. Through their music, they strive to share their soulful folk tales through heartfelt lyricism combined with raw emotion, all while paying heed to the diversity, peace and sacredness of life, as we know it. Amidst their profound songwriting and melodies, the band has readily established themselves as ‘The Copper Children’ of the Colorado musical forefront.
Venue Information:
Cervantes' Other Side
2637 Welton St.,
Denver, CO, 80205
http://www.cervantesmasterpiece.com/