Lyrics Born w/ Indigenous Peoples, AG Flux, Bukue One

Lyrics Born w/ Indigenous Peoples, AG Flux, Bukue One

Sat, September 29, 2018

Doors: 8:00 pm / Show: 9:00 pm

$15 Advance / $18 Day of Show

This event is 16 and over

Lyrics Born
Lyrics Born
The first words of Lyrics Born's eighth album speak volumes about where the legendary MC stands these days: "Real people do real things. Yes we do." The Bay Area resident born Tom Shimura has stood at the peak of high-minded underground rap, explored the far reaches of interstellar synth-hop, and blazed trails galore both solo and as half of Latyrx. But as clap-along live funk of Real People's titular song fires up and that familiar, molasses-rich voice enters the fray, it's clear LB's feet are squarely on the ground with the rest of ours, scuffing up the concrete as they kick, stomp, shuffle, and dance to the unpredictable rhythms of grown-ass living.
Twenty-two years after he was introduced to the world with "Send Them" — the landmark left-field 12- inch that launched the Solesides label b/w DJ Shadow's "Entropy" — Lyrics Born has made some of the most organic, original, and adventurous music of his entire career. While touring with Latyrx last, he made time for an extended stay in a place that he's long admired: America's first and last real-deal music town, New Orleans. LB stocked up on pads and pens, rented a cozy house three blocks from the famous Maple Leaf Bar, and booked two weeks' worth of sessions with Galactic guys Robert Mercurio and Ben Ellman at their Uptown studio. Then they let it rip.
Funk has always been a part of what Lyrics Born does — his unique vocal swagger dishes out melody and rhyme with equal aplomb. But never has he evoked the idiom so directly or made an album that feels so alive. He turned the production over entirely (also a first) to his NOLA colleagues, giving them space to do what they do best, and him the freedom to write. Mercurio and Ellman wrangled a host of talent to execute the vision: Trombone Shorty, Ivan Neville, the Preservation Jazz Hall Band, Corey Glover (Living Colour), Corey Henry (Treme Brass Band), David Shaw (The Revivalists), and Billy Martin. Amidst all that quirk, soul, and raw talent, LB was reborn.
It should come as no surprise, then, that the phrase "second act" comes up more than once on Real People. Married 10 years to his longtime partner-in-song Joyo Velarde, and a father to a 5-year-old son, our host embraces adulthood without reservation. He sounds happier, wiser, and looser than ever, whether revisiting his days as a child of divorce ("Real People"), dedicating a smooth cut to lifelong romance ("Around the Bend"), penning a kiss-off to the music industry ("Good Riddance"), examining the Great Recession in depth ("WTF"), or bragging to the beat on "$ir Racha." LB's liquid delivery morphs appropriately for every occasion.
That too is to be expected though. The Tokyo-born, Berkeley-based artist has owned his career each step of the way, ever since a radio gig at UC Davis' KDVS put him in the same room as Shadow, the mighty Blackalicious, and his Latyrx partner Lateef the Truthspeaker. As co-founder of the Solesides and Quannum Projects labels, LB was vital in pushing independent hip-hop music into the limelight, dropping a minted classic (The Album) with his duo in 1997, and another one on his own with Later That Day in 2003. The Same !@#$ Different Day set followed in 2005, rounding up the likes of KRS-One, Dan the
Automator, Cut Chemist, E-40, and Morcheeba for a series of radical remixes. A year later, Overnite Encore captured LB's renowned live set (complete with backing band) in Australia.
He expanded his palette again with 2008's Everywhere at Once on historic punk label Epitaph Records. The instrument-heavy LP spawned a Jimmy Kimmel Live! appearance with "I Like It, I Love It," which was actually the man's second visit to the show. (He teamed with Galactic the year before to do their first song together, "What U Need.") Now, after dropping 2010's synth-powered As U Were via Decon, Lyrics Born is proud to officially launch his very own Mobile Home Records with Real People. The new album's strong focus is a compliment to the wild range of Latyrx's 2013 return, The Second Album, which featured collaborations with folks from tUnE-yArDs, Decemberists, and Anticon, among others. As always, LB remains committed to delivering the unexpected and outdoing himself with ease.
Indigenous Peoples
Indigenous Peoples
Emerging from of Colorado, K-OSS, Siklone, Lyrical Hitman (Rest in Peace!), 7ven and DJ Remody Indigenous Peoples AKA “2 Real 4 da Mind”. With their rapid fire delivery and conscious lyrics I.P. has captivated audiences all over the US. In an era where mainstream polluted the art form known as Hip Hop Indigenous Peoples are a breath of fresh air.
THE BEGINNING:
K-OSS (Jimmy Macias) and Lyrical Hitman (Larry Harris) formed a hip hop duo in high school. Months later Siklone (Anthony Romero) joined the crew. I.P. “2 Real at the time” first EP was very socially conscious and discussed issues such as racism, poverty and politics.
A STORM IS COMMIN’:
2 Real’s first full length album was titled “A Storm is Commin’” This album was released in 2003 and did well for 2 Real 4 da Mind. A sold out release party launched 2 Real’s career. Soon after this album was released Lyrical Hitman took a hiatus to join the United States Marine Core.
SOKIS:
SOKIS (Is an acronym for Siklone “SIK” and K-OSS “KOS” spelt backwards. This was a duo album with Siklone and K-OSS with guest appearances by Lyrical Hitman and introducing 7ven to the group. 2 Real branched out and tested many forms of music on this album from Jazz to R&B.
LYRICAL HITMAN:
While saving the life of a fellow Marine Lyrical Hitman (Larry D. Harris) was killed in action fighting for our country in Afghanistan. He was awarded a Sliver Star, Purple Heart as well as many other awards. He will forever live through our hearts and through the music he blessed us with! RIP to our brother Larry!
A DAY LATE & A DOLLAR SHORT:
A Day Late & a Dollar Short will be by far I.P.’s best work. This album has guest appearances by Bone Thugs~n~harmony, Q-Loco, Blackalicous and Sleep (Of the Chicharones). The release date for this album Will be August 2012.
AG Flux
AG Flux
Driven by the urge to create music that moves people, AG Flux blends clever rhymes with elements of old/new-school rap and hip-hop
Bukue One
Bukue One
Tion Torrence, aka Bukue One, is a product of that confluence of underground currents. In Bukue's hip-hop dictionary, there are 5 elements: rapping, djing, breaking, graffiti, and skate boarding. Intromission is the extraordinary album of a true Bay Area original, who in a single leap can pull a 360˚ kickflip, throw up a graffiti burner, and spit a tight verse.

Bukue One grew up straddling the border between Berkeley and Oakland, California. The dichotomy of the leftist college town and the gritty streets of The Town manifested itself musically in Bukue from an early age. "I watched early skate videos that featured music from punk bands like Bad Religion and Black Flag, but my friends were listening to NWA and Run DMC." He was also surrounded by music courtesy of his father, who was a backup singer for Marvin Gaye's touring band. Being a somewhat naïve preteen, he didn't see any contradiction in listening to such dissimilar genres. Living in the East Bay instilled a political consciousness in Bukue from a young age; his parents were both active members of the Black Panther party. So by the time Bukue was entering his late teenage years, he was socially conscious, a talented skater, and a renowned graffiti artist. His love of hip-hop had yet to translate into making music however. Bukue's entry to the hip-hop game came in the form of a live event production company, whose goal was to merge his love of skating and hip-hop. In 1998 Bukue's company, Urban Productions, organized a 4 day hip-hop/action sports festival in San Francisco featuring an a-list of artists, b-boy crews, djs, and skaters such as The Hieroglyphics, Artifacts, Style Elements, Rock Steady Crew, Shortkut, Apollo.Pro, Mike Carroll, Henry Sanchez, and Mike York. Afterwards, Bukue expanded his business into a record label and tour management firm. En route to Australia as tour manager for Aceylone, the hip-hop muse struck Bukue, resulting in "4 Tha Graff Heads", an ode to graffiti culture. As luck would have it, the art of graffiti was in vogue Down Under, and Bukue had a minor hit on his hands. Bukue saw that he could combine his business skill, hustle, and passions to make a sold living; a philosophy cum lifestyle that he has practiced to this day. "I'd like to think of myself as having a blue collar work-ethic with executive skills."

Intromission is Bukue One's first proper album. His previous recorded work consists of a series of mixtapes, including The Last Starfigher (2000). The material for the mixtapes came about on Bukue's many stints as tour manager/ performer with the likes of Blackalicious, Aceylone, Roc Raida, Abstract Rude and Del the Funky Homosapien (whom he also manages). So even though Bukue has been in the rap game for almost 10 years in one way or another, this will be most people's introduction to his work. "Intromission is all about reintroducing good old party hip-hop to young kids. It's me saying that it's okay to dance and smile; there's enough anger out there these days. I'm a party-rocking emcee." This is not to say that there is no substance to Bukue's songs. The 18 tracks on the album reveal his diverse musical and topical influences. The single, "Majah Knock" is an ode to the legendary bass-heavy west coast sound. Bukue knew it would be his single the moment he heard it, but it took a minute to convince producer PH-7 to boost the bass "up to West Coast levels." On "Ready now" Bukue showcases his roots reggae influences, musically and lyrically; "Why do we so heavily embrace the paper chase that wasted space and time? /When did all the madness begin? / Where do we go from here?" The majority of the album was produced in, surprise, Germany. In Bukue's tours through Europe, he developed a love for the sound that German producers were turning out. "The hip-hop culture in places like Berlin and Hamburg now is like the US in the late 80's. In Germany, people are making music to make true hip-hop, not to get rich." Tapping different producers known for their signature sounds allowed Bukue to make an album that incorporates his assorted styles. Krutsch has the reggae, dancehall, and classic hip-hop sound down pat. Flaps is a master of a funky, spiritual sound tinged with a 70's blacksploitation feel. PH-7 provides the straight bangin' hardcore boom-bap. Through all of the stylistic changes, Bukue's flow keeps the album consistent.

This is Bukue One. Emcee, Graffiti Artist, Skater, and Hip-Hop Entrepreneur. So the next time you're at a show and the emcee finishes by ollieing off the stage and skating through the crowd to sell his merch and sign autographs, there'll be no doubt as to what you've just experienced. Chances are that you'll be sweaty from dancing and hoarse from signing along. Bukue One has just completed his intromission as the defender of the five elements of hip-hop.
Venue Information:
Cervantes' Other Side
2637 Welton St.,
Denver, CO, 80205
http://www.cervantesmasterpiece.com/