Pharoahe Monch w/ Stay Tuned, Courier, The Soul Pros and THC

Pharoahe Monch w/ Stay Tuned, Courier, The Soul Pros and THC

Fri, May 23, 2014

Doors: 8:00 pm / Show: 9:00 pm

$20 Day Of Show

Tickets at the Door

This event is 16 and over

Pharoahe Monch
Pharoahe Monch
“Fuck you know about struggle?” Pharoahe Monch’s bold but rhetorical query opens the title track to his fourth collection of lyrical land mines, PTSD – Post Traumatic Stress Disorder. The line dares the listener to keep tumbling down the rabbit hole with the Queens, NY MC as he tackles familiar themes of gun violence, heartbreak and redemption but this time in the first person.



In 2011 the rapper and singer born Troy Donald Jameson unyoked himself from the confines of record industry contracts and declared his independence. The aural record of his resistance, W.A.R. (We Are Renegades) sits as a testament to the resilience of a wordsmith dedicated to his evolution despite the odds.

But his freedom came with a price.

”While W.A.R. was one of my best selling records and my first independent…I’m still spending for videos, marketing,” he explains of his tour of duty. Monch had released three albums as part of the group Organized Konfusion and two as a solo artist prior to W.A.R. ”When you’re independent you’ve got to get up in the morning, open that store, lift that gate. The traveling was exhausting. It left me drained.”

Monch has never made a secret of his battle with asthma and the lung disease literally came for this throat while recording one of “W.A.R.’s” standout songs, “Still Standing” featuring Jill Scott. But what some may not know is that, years before that incident his breaths almost stopped permanently.

“I was in the hospital for two weeks and they had me on steroid medications intravenously and one of the side effects is severe depression,” he reveals. “I didn’t make the correlation to the meds until I was going four our five nights without sleeping.”

The depression was so severe that family friends had to stand watch over him fearing what he might do to himself. It wasn’t until a visit to the dentist that Monch was told that the combination of medications he was taking created the side effects, which included suicidal thoughts.

“I could feel the monkeys jumping off my back,” he says of the Dr.’s revelation. “I just melted on his desk and I started balling. I could breathe. I didn’t know what was crippling me. I couldn’t figure it out until he pointed it out.”

Experiences like these are what still motivate Pharoahe in the studio today. With the success of “W.A.R.” he knew that he could not let another long stretch of time pass before he gave his fans more music.



“One of the things I’m able to do is pull from my experiences,” he says of “Broken Again,” the first song recorded for what was originally to be an EP. Where Monch is usually either a confident romantic or a raunchy lothario on records about women, this song finds him surprisingly vulnerable in a place where he doesn’t have the answers.

“The story is metaphoric because the girl became an addiction. She helped me mask everything I was dealing with like a drug would do, and when it didn’t work out it was hard for me to mend from that…”

“Broken Again” is complemented by equally introspective sonic time stamps like “Rapid Eye Movement” (featuring Black Thought) “D.R.E.A.M.” (featuring Talib Kweli and produced by Lee Stone) “The Jungle” and “Times2” produced by Marco Polo.

However, by the end of the album a sense of fear sets in that we’ve reached the end of a journey as well, that the demons from Monch’s dystopian nightmare have emerged victorious.

“If you listen to the skit at the end he gets charged into that facility and he’s been there for a long time. When he wakes up the laws have changed and he’s placed under arrest for what’s in his head,” says Monch of the dystopian theme. “This is possibly my last Pharoahe Monch album.”

But what does ‘last’ mean for a meta-MC who habitually leaves self-referential Easter eggs linking his past and present like strands of DNA? On the aforementioned title track where he outlines his struggles with mortality he leaves us with a semblance of hope as he says, “do not despair, breathe, fight/ because there is more life to live…believe.”

With self-preservation as a prime directive, Monch has finally made peace with his internal affairs and his desires. Having identified the impact the war has had on his psyche, the fight will continue but on his terms.

“To get in there and put my fuckin’ soul on these songs…that’s what it’s about.”
Stay Tuned
Stay Tuned
In an internet age where information is coming to us at light speed, how does one bridge the gap between real life and our pixelated version? Stay Tuned to find out.
One of the few live acts to successfully marry the concept of Audio and Visual -
and quite possibly the only live Hip-Hop act to do so - Stay Tuned was the most
fitting name for the outfit, based initially on their love for all
"sub-genres" of Hip-Hop and music as a whole, and the influence those
styles have had on them. This was first reflected in the recorded music made,
taking Boom-Bap, Dubstep/Electro, Hardcore, Downtempo...righteously, whatever moved them at the moment, and crafting live sets as such. Boston MC, Akrobatik pointed out to the duo that he admired how they'd bounce around sonically in their live sets, which was also metaphoric for the ups and downs that were faced in the industry itself. The light bulb flashed. MC Mane Rok figured
"Stay Tuned" would perfectly describe the musical path taken-of which
grew when the live set coupled itself with the visual portion, leaving the
group's then DJ-DeeJay Tense- as the program director controlling a live video
feed with his turntables. This continued to grow and began to come full circle,
influencing how overall ideas and themes for albums came to fruition. The first
being the fictional story of a serial killer (with an underlying theme
questioning media practices) in the form of "Murder He Wrote: A Love
Story."
The Stay Tuned moniker would allow the group to have interchangeable parts. Akin to the idea of channel surfing, letting them invite special guest performers,
making each show unique. The channel surfing idea has now come to full bloom in their self titled EP released 1/24/15 (simply take a listen to understand),
which was also the official introduction of the groups new DJ, DJ AWHAT!!
(formerly of The Pirate Signal,) and the change itself begs the listener
to...well...Stay Tuned.
Courier & Jax-Zen
Courier & Jax-Zen
Courier comes from a life of varied experiences and brings an inspired, conscious message to the stage and to listeners. With an innate sense for the spoken word, he writes free-flowing, streamlined verses, set to provoke thought, conversation, feeling, and action. With deep roots in hip hop, rap, and R&B, Courier is a messenger for the modern time, a prolific deliverer of words our world needs to hear. With his latest release, "INSPIRED," and in working with "The Chroniklez," http://wyomingchroniklez.bandcamp.com he continues to gain listeners and expand his messages. He is currently at work on live performances and writing new material for an upcoming release. He now calls Denver, CO home and is part of the growing and evolving hip hop scene of the city.
Venue Information:
Cervantes' Masterpiece Ballroom
2637 Welton Street
Denver, CO, 80205
http://www.cervantesmasterpiece.com/