Cervantes Masterpiece Presents along with Altitude The Dispensary Present
Sold Out: 420 IN THE STREETS ft Method Man and Redman, Cypress Hill, Collie Buddz, Flatbush Zombies, Dizzy Wright, The Underachievers, Con Brio, The ReMINDers and Tatanka
Mon, April 20, 2015
Doors: 12:00 pm / Show: 12:30 pmCervantes' Masterpiece Ballroom
$40 GA /// $150 VIP Access
This event is 16 and over
RE RELEASE OF TICKETS
420 In The Streets is Sold Out BUT there will be a very limited amount of tickets released at 12 PM on 4/20 when the Box Office opens.
12:00 GATES OPEN
12:20 - 1:10 Tatanka
1:20 - 2:00 The ReMINDers
2:05 - 2:50 Con Brio
3:00 - 3:45 The Underachievers
3:55 - 4:45 Dizzy Wright
4:55 - 5:45 Flatbush Zombies
6:00 - 7:00 Collie Buddz
7:15 - 8:25 Cypress Hill
8:35 - 9:45 Method Man & Redman
PUBLIC CONSUMPTION OF MARIJUANA
Public consumption of marijuana is illegal in the state of Colorado.https://www.cervantesmasterpiece.com/event/727663/
Maybe the idea of one of hip hop's finest-and grimiest-emcees tickling the ivories sounds odd, or out of place, but Mr. Mef has never been the type to fit in. His husky, guttural voice is perhaps the most distinct in the game, his flow-dark and complex like the graphic novels from which he took his moniker from-can bury itself in cinematic tracks from RZA, complement the voices of R&B divas and or attack party tracks from Rocwilder. Whether he is trading verses with partner in rhyme, Redman, crowd surfing at a Wu Tang show, or stealing a scene in various television shows and films, Method Man is a true individual spirit. With his latest album, 4:21, The Day After, he is also focused on being a true artist.
Unlike some previous efforts-where Meth admits his priorities were different-on this new album, he says he's focusing on lyrics. After his last album, Tical O: The Prequel, he went through an especially rough time in his life-both personally and professionally-which provided him with a bulk of material. "I had a lot on my mind at the time and the second thing was, I decided to really talk about something and I had a lot to draw from and when the pen hit the paper it was like damn, remember this? And by the time I was done it was like shit, let's go." The result is his most personal and introspective work yet.
Doing the work behind the boards on 4:21, are Wu Tang mastermind and long-time collaborator, RZA as well as Scott Storch, Havoc, K1 and Eric Sermon. "With Eric, we did three songs in three days," Meth says with an amazed smile, "He just comes in with ideas of top. And with RZA, shit, I've watched him build tracks from scratch, so all I really have to do is put the pen to the paper". Eric Sermon provided the beat for Meth's first single, "Say", featuring Lauryn Hill. The track finds Meth addressing critics, fickle fans and haters for disrespecting him and his Wu Tang brethren.
"I've been venting about all this for years and [my manager] was like, 'Write about it, Eric has the perfect joint.' And, Lauryn Hill herself, she just had the raw emotion, the small things she said on the song was enough for me to push my pen and let myself be vulnerable." Meth says his ability to let himself be so open is in line with the entire concept of the album, and its title. "The national weed smoking day is 4/20, so I named my album 4/21 the day after. Because after that day, you have this moment of clarity when you're not high and you see things clearly." The Grammy-winner sighs and continues, a serious, determined look on his face. "You feel like you're not in on the joke, and everyone's laughing at you. I felt like no one was taking me seriously. I got real angry and I just starting writing."
Anger proved to be a great motivator, as the Ticalion Stallion wrapped up the album in a few short months. He says the creative process has been cathartic, and though his skin hasn't gotten any thicker, he's able to use his writing talent to inspire self-confidence. "It's real talk, I'm going to keep my spirits up and not let it get things to me. You know, if you start reading your own press and feeding into it, and you start questioning yourself, like, 'am I wack?' and you have to be like, 'No!' I learned to pat myself on the back, and that it's ok to pat myself on the back sometimes." We definitely agree.
A hit record is probably the only thing that makes Salaam Remi pause his day. Remi, most known as one of the top-selling music producers in the world [Fugees, Usher, Fergie, and Amy Winehouse] and Executive Vice-President at Sony Music knows an irrefutable song when he hears it. After discovering Light It Up, Remi made an offer to Collie Buddz to join his label imprint Louder Than Life, a division of Sony Music Entertainment.
"Salaam knows music. It feels good. I want to reach a certain level with my career and go places I haven't gone yet. Being with Sony Music definitely helps with that," Buddz says with some anticipation.
Light It Up, is a new anthem spreading across every college campus and radio stations, but the artist that created the tune has a name that may sound familiar to some music fans. Buddz exploded onto the scene a few years ago when critics and tastemakers alike embraced him - Spin Magazine proclaiming, "Buddz proves the pop rule: Catchiness transcends color." From Vibe Magazine to Entertainment Weekly, Collie Buddz made quite an impression with music critics.
“My mom kicked me out when I was 17,” Dizzy reveals of the woman who both raised him and managed his career since childhood, “I was thrown out into the world.” With a similar story to his inspiration, Tupac Shakur, he took to local clubs to build a network and fan-base by being both skilled and flashy. “I was all about getting people to know my name. I knew the vision, but I didn’t know the gesture. You’ve got to live through this to get an understanding of it.” Along the way, Wright says that life taught him to keep a tight circle and to be concerned with how his music sounded in venues just as much as the writing. That dichotomy of substance and swagger has made Dizzy Wright an independent charting sensation with three 2012 releases, SmokeOut Conversations (along with the 200,000 times downloaded promotional mixtape), as well as a follow-up EP, The First Agreement. In turn, the youngest member of Funk Volume has been one of the most active.
Although SmokeOut Conversations could be dismissed as just marijuana music, the inspiration behind the concept is deeply personal to Dizzy. The rapper asserts, “I didn’t want people to perceive me as this weed rapper with a weed album.” Instead, he admits that a key moment in creating the album came from his first encounter with his father. “I did a show in Detroit with Hopsin, and I got to meet my father for the first time. I was trying to figure out what he was gonna be like. He went to jail a couple months before I was born, and then he got out 20 years later.” To buffer the circumstances, Dizzy and his Pops eased tensions with some help. “When I finally met him, all we did was smoke and talk.” “We just got to do a lot of catchin’ up, lotta talkin’, and lotta smokin’.” After his father traveled to several dates with the Funk Volume family, Dizzy left the experience with a title and theme for his debut album.
The independent album produced two multimillion-view videos on YouTube, “Solo Dolo” and “Can’t Trust Em.” Dizzy was specific in giving his expanding base both sides of his repertoire. The first was Dizzy’s most personal record, while the second had, what he calls “that now-sound.” Both resonated, and the rapper was able to go from “doing shows to doing concerts” in his relentless touring with label-mates. Reflecting, he notes, “I was just testing the waters.” Ready to fully jump in, Wright promises of his forthcoming work, “My next album will be the biggest one to date. It’ll be the perfect material for the fans, ‘cause I understand everything a lot more.”
Like his idol, Dizzy Wright embodies a do-for-self journey that’s magnetized listeners with his natural charisma. Perhaps with a cloudy chorus or a bassline to make it digestible, he’s leading a new charge. “’Pac’s passion gives me passion. I don’t wanna be just one of these niggas just talkin’.” In life and in music, already he’s saying much more.
Issa and “AK” didn’t start rhyming together until years after they met. Fast forward from their first conversation, the two bonded about wanting to get into psychedelics - to Issa doing a feature for AK, who at the time was the sole Underachiever. “You guys need to rhyme together,” a producer told them. Being friends of fellow Beast Coast influencers, Flatbush Zombies, both rappers had witnessed the critical and collaborative attitude that permeated the group. They believed that finding that environment and willingness to work, would be the key to doing it right.
Now, The Underachievers boast three critically-acclaimed mixtapes (“Indigoism,” “Lords of Flatbush” and “It Happened in Flatbush”), their debut album "Cellar Door - Terminus Ut Exordium," a popular “Clockwork Indigo” five-track EP with Flatbush Zombies, a sold-out headline tour across North America, Europe & Canada, and their sophomore album "Evermore - The Art of Duality" which portrayed a mature and auto-biographical manifesto of the UA lifestyle past and present.
Loved by fans and critics alike, the duo’s viral sensations “So Devilish”, “Gold Soul Theory”, and “Herb Shuttles” prove they’re hitting the mark between genre-bending and mass appeal dead on. They have become more ambitious in developing their craft and displaying the ability to convey their musings. Delivering their message over both head-banging and laid-back lyrical soundscapes, The Underachievers commands their music to do what they want it to do.
Sparking change, infusing the culture and inspiring their fans worldwide is what the duo sets out to do with each new release as anticipation builds for their next project "Renaissance" to come in April, 2017.
Releasing their debut album 'Recollect' and their latest “Born Champions”, the Reminders have been recognized and applauded for their work internationally through concerts, tours, music awards, TV and radio appearances, and their incredible and dedicated fan base. Having shared the stage with artists such as Snoop Dogg, Nas, Mos Def, Big Boi, and touring with Ms. Lauryn Hill, the Reminders have established a firm place in today's ever-evolving music scene, garnering international acclaim while paving a path all their own. Beyond performances and appearances, the duo is constantly and actively engaged with community organizations, schools, and universities delivering workshops, talks, and specially catered performances.
More than a shade of the same color that we see time and time again, The Reminders transcend the bounds of what is expected. Their stage presence and high energy shows leave crowds in awe the world over, allowing the duo to uplift and entertain all at once. Their unique mashup of razor sharp rhymes; raw, soulful vocals; and reggae-tinged hip hop beats form the perfect backdrop for their relevant and inspiring themes, leaving a lasting impression on listeners with audiences always wanting more. The Reminders take their hip hop foundation and move it beyond genre, time, and space to create a global musical experience that is classic and speaks to all those willing to participate.
Tatanka encapsulates the heavy roots rumble of the Caribbean, while maintaining the pop sensibilities of the dance-oriented electronic sounds from the Britannica-American reggae scenes. These sounds are what fueled the groups newest album,’Tatanka‘. Written over the span of a year and a half, Tatanka recorded their self-titled album at Imperial Sound in San Diego. Reggae rocker Ted Bowne from PASSAFIRE and roots magician The Maad T-Ray of Tribal Seeds feature on a counter-culture wake up call entitled “The Yard”. Jamaican sing-jay Triston Palmer is heard on a bouncy number labeled “Give Green“. The tune pays homage to never giving up and believing in yourself. En Young of Tribal Seeds can also be heard throughout the album. The album debuted at #1 on the iTunes reggae charts and #4 on Billboard’s reggae charts. The positive lyrics and heavy sounds garnered radio air-play all around the globe.
Tatanka’s ‘Sounds In Technicolor‘ EP has racked up over 20,000 downloads and has attributed to the flourishing fan base. This recognition has led to tours across the US and Canada with acts such as Tribal Seeds, Stick Figure, Lee Scratch Perry, Fortunate Youth, Easy Star Allstars, Passafire, and more. In conjunction with a heavy tour schedule, Tatanka has also played a multitude of festivals including California Roots, Powell-a-Palooza, Desert Rocks, Arise, and a plethora of others.
Formed in Denver Colorado by a few college friends, Tatanka has been recognized as “Breakout Artist of the Year” (2014) by The Pier, High Times “Unsigned Band of the Month” (September 2011), and nominated by Westword magazine for “Colorado’s Reggae/Jam Band of the Year” (2015). With 2015 providing a large amount of clout, Tatanka will be releasing a remix album of their self-titled record as well as several new singles.
Tatanka’s infectious live show is the bridge between the band and the fans. It unifies the crowd with a progressing, pulsing, and positive perspective. Tatanka is always looking to further instill a global vision of unity with their pounding, dynamic sounds and peaceful, harmonious message.
“We all go help them, People come together no selfish.” - Reward Them, TATANKA
Cervantes' Masterpiece Ballroom
2637 Welton Street
Denver, CO, 80205